Polaris, Edinburgh Festival Fringe

by Laura Kressly

Val is a concerned, elderly citizen of her community. She believes that if everyone followed the rules on refuse disposal and the agreed schedule for mealtimes, every thing would be peaceful and orderly. She also believes that recent arrivals like Tracy, displaced by natural disasters, aren’t her problem.

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The Laundry, Drayton Arms Theatre

by guest critic Amy Toledano

The Laundry is a lovely collaboration of writing by 15 Degrees Theatre that explores womanhood across many generations and across many cultures. Travelling across Europe from Russia, the play begins with two sisters and ends in three stories that will have you wanting to ring your mum the minute it ends.

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Pigspurt’s Daughter, Hampstead Theatre

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by an anonymous guest critic

Pigspurt’s Daughter is a kalaediscopic, one-woman show in which Daisy Campbell takes the audience on a journey through the life of her father, the theatre legend Ken Campbell. Campbell, for those too young to know of his work, was an eccentric and brilliant theatre impresario, actor, writer, director and producer.

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Cafe Society Swing, Theatre Royal Stratford East

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by an anonymous guest critic

An evening of spectacular performances depict the true story of New York’s first jazz club, Cafe Society, run by immigrants and allowed black and white audiences to integrate. The club’s audiences watched the most talented performers of their time, including Billie Holiday, who gave her first performance of harrowingly beautiful lynching song ‘Strange Fruit’ there.

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How to Survive a Post-Truth Apocalypse, Battersea Arts Centre

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by guest critic Amy Toledano

Francesca Beard delves into the complex subject of truth and looks at how it could be perceived in a post-apocalyptic world. Using spoken word (which Beard is clearly a pro at) as well as song and multimedia imagery, the audience takes a journey with their Shaman and guide Francesca who hopes to lead them to the real meaning of truth.

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Suicide Notes… The spoken word of Christopher Brett Bailey, Shoreditch Town Hall

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by guest critic Joanna Trainor

“I wanted to be gentle when I blew his mind.”

Christopher Brett Bailey could read the Argos catalogue and have an audience hang on his every word. But his talent for storytelling is matched by his weird and wonderful writing, and so we get to take another trip down the rabbit hole of his inspired or insane work.

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