All Wrapped Up, Stratford Circus

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by Laura Kressly

Oily Cart makes gently immersive, highly sensory performances for people under five years old, and people with complex needs. This winter-themed touring show for little ones takes them into a world of colourful lights, dark shadows and sparkly parcels that reveal an array of treasure, from reams of bubble wrap, to coloured lights to a magnificent puppet constructed out of cellophane. As lights dim and glow amidst the white drapes and shimmering cushions, children are invited to explore the tactile, etherial landscape that evokes the the wonder of unwrapping presents on a snowy Christmas morning.

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Fix, Pleasance Theatre

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by Laura Kressly

Kevin arrives at his last call-out for the day, a dilapidated house in the middle of a forest near where he grew up. Li Na presents him with a washing machine that no longer spins, but as Kevin attempts to repair it, there are obvious hints that the machine isn’t the only thing that’s broken. Intertwining mythical and personal histories, Julie Tsang’s horror story is a compelling blend of the supernatural and the real.

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The Mystery of the Raddlesham Mumps, Wilton’s Music Hall

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by Laura Kressly

Seven-year-old Crispin, newly orphaned and the last remaining member of the Clumps family, has inherited a creepy, country pile called Raddlesham Mumps. Managed by an ancient butler who could have stepped out of a Dickens novel or The Addam’s Family, of course there’s more to this house than meets the eye. The bright and articulate child questions what seem to be supernatural forces and a familial curse, but the answers he gets in this narrative poem are far from savoury.

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Gastronomic, Shoreditch Town Hall

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by Amy Toledano

Curious Directive have created a marvelous immersive experience with Gastronomic. This gorgeous piece of theatre brings us a story from the sky as we experience a first-class menu with a British theme covering curries on Brick Lane through to ice cream on Brighton Pier.

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We Dig, Ovalhouse

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by Laura Kressly

The main stage at Ovalhouse isn’t there anymore. Neither is the floor beneath it or the concrete foundations below, but there is a hole, and a lot of yellowish dirt. Emma Frankland and other four trans and nonbinary artists are energetically digging it, searching for relics and memories of their trans family that preceded them. They also dance, tell stories and share their fears and hopes for the future in this vulnerable and celebratory performance piece on trans identity and lived experience.

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Amsterdam, Orange Tree Theatre

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by Amy Toledano

In his first production as Artistic Director of Actors Touring Company, Matthew Xia brings this unique story to the Orange Tree Theatre in a new production. Written by Maya Arad Yasur, this play provides a brilliant perspective on the atrocities that took place during World War II, and how these acts spill over into and still impact the lives of those living in present-day Amsterdam.

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Jade City, The Bunker

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by Laura Kressly

When Sas and Monty were kids, the world was full of possibility and adventure. Now that they’re grown, poverty, loneliness and their pasts have trapped them in Belfast, barely able to leave their flats. Infantilised by unemployment, they stay in and play pretend like they did as children. Whether its as bin men, Cuban revolutionaries or global travellers, The Game lets them ignore the harsh reality of the social and economic systems keeping them down. In Alice Malseed’s play, the past, present and imagined flow into each other like the lads’ days do, but Sas thinks its time they grow up.

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