Me and Robin Hood, Royal Court

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by guest critic Maeve Campbell

Shon Dale-Jones and Hoipolloi’s Me and Robin Hood has admirable intentions in aiming to raise awareness and money for charity ‘Street Child’. Dale-Jones’ one-man show is a personal narrative, part biography and part discussion on class and wealth divisions in Britain. The mythical medieval do-gooder is a central figure in the piece, an inspiration and obsession for the socially conflicted Dale-Jones.

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Hamlet Fool, Lion & Unicorn Theatre

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A lesson: always read press releases in full. Why? Because you might turn up to a show and discover it’s performed in Russian (when you don’t speak Russian). At least in this instance knowing the source material for Hamlet Fool, a one-woman street performance style retelling Shakespeare’s classic, provides a base knowledge.

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I Hear You and Rejoice, Tricycle Theatre

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by guest critic Maeve Ryan

I Hear You And Rejoice is a tribute to the power of the single storyteller.  Lighting, costume and staging are simple, revealing the power of the skilled actor. The result is a joyful play full of sentimentality that is also hugely funny.

This is the followup to the much-loved The Man In The Woman’s Shoes, also written and performed by Mikel Murfi. Both plays began their journey following a research period  interviewing older people in Murfi’s native Sligo. Having performed the play back to the very people he had interviewed for inspiration, The Man In The Woman’s Shoes debuted at The Hawkswell in Sligo. It has since toured extensively to audiences at home and abroad.

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Home, Ovalhouse

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Scarlet and Olive were left behind when the evacuation transport left their town without them. A dust storm has rendered their home a foreign landscape. They have five days until the transport will return to collect any stragglers, and news is due over the radio at any time between now the then. The resourceful young women must work together to find water and build a shelter so they can survive until someone comes back to get them, and the audience of people with profound and multiple learning difficulties (PMLD) is there to help.

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Bubble Schmeisis, Battersea Arts Centre

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Nick Cassenbaum grew up in London’s Jewish community and experienced all the cultural mores that go with it – Spurs games, dubious summer camps, trips to Israel and discovering his willy isn’t like the other boys’ at school. Like many young people as he got older, he hadn’t quite found his place in the world. Until he went with his grandfather, Papa Alan, to the Canning Town bathhouse.

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The Lock In, VAULT Festival

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It’s St Patrick’s Day at an Irish pub in London. We’ve been there for awhile, but the night is young. There’s a five-strong band more focused on arguing the facts of Irish history than playing music. This becomes the story – drunken frontman Eamonn (Ian Horgan) attempts to tell us the story of the venerable saint. Numerous diversions, interaction, songs and plenty of banter follows a convoluted path through the power of storytelling, national identity and the veracity of history.

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