by Euan Vincent
When Handel wrote the Messiah in 1741, he faced fierce competition within the dwindling operagoing-market to get more bums on seats. Opera was seen as obtuse, elitist and too expensive (oh, how times have changed). Faced with this reticence, Handel wrote Messiah as an oratorio, which is similar to opera but isn’t typically staged, is written in English and focuses heavily on Christian themes – all of which were designed to broaden the appeal of his piece to the widest audience possible.
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