The Grand Expedition, a secret location

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by an anonymous guest critic

Gingerline have been making waves in the theatre-foodie experience crossover industry for a few years now. It starts off well: the set is incredible, the food interesting and absolutely delicious, the animation and use of projection astonishing, and the interactive nature of the experience is fun without being overly embarrassing for participants. The execution of this show succeeds brilliantly on so many levels.

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The Justice Syndicate, Battersea Arts Centre

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by Lara Alier

Walking upstairs to the performance space, I was wondering why are there only 12 of us and why hadn’t I investigated a bit more what am I about to watch. Or, as it turns out, what I am about to do. Around one, big table, there are twelve tablets and name tags saying Juror 5, 6, and so on. I am going to be part of the jury that would decide if a Doctor was guilty or not guilty of sexual assault.

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Binaural Dinner Date, Rich Mix

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by Laura Kressly

I haven’t dated since 2004. Yet despite this, I find myself sitting down with a stranger in a restaurant serving up a menu of activities, games and binaural sound prompts instead of food. These are meant to foster an intimate connection with my date, who I have just met courtesy of a cheerfully efficient stage manager/maitre d’.

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Faust, Theatertreffen

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by guest critic Maeve Campbell

On entering a seven-hour long production one might ask the following questions: will I understand the plot, will I be able to sit through it for the duration and will it be worth the plane journey, holiday costs and copious amounts of pilsner consumed over the weekend? The answers are no and no but, to the last question, a resounding yes. Directed by the controversial Frank Castorf, famously ousted as leader of the Volksbühne theatre after nearly fifteen years of service, this production is his swan-song. Castorf’s previous work has been described as ‘deliberately incoherent’, and this Faust does not disappoint.

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Trainspotting Live, Vaults

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by Laura Kressly

Two men pelting it down Princes Street in Edinburgh as a voiceover lists the goals of typical adult life – big tellys, cars, careers – is one of the most iconic moments in British cinema. Ranked tenth by the BFI in its 1999 evaluation of best British films, Trainspotting has left an indelible mark on popular culture.

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