Isaac Came Home From the Mountain, Theatre503

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by Laura Kressly

Bobby’s a bright, enterprising young man, so when his dad demands he get a job and do something with his life other than get stoned, he does. Desperate to impress his elders but with little sense for his actions’ consequences, Bobby’s series of bad decisions leads to catastrophe. But this new play, laden with thematic complexity, cuts the story short before it has the chance to fully resonate.

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A Gym Thing, Pleasance Theatre

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by Laura Kressly

Will is having a rough time so isn’t inclined to leave his Playstation. His worried mate Jay convinces him to join the gym with him, in the hope that it pulls him out of his funk. Unknowingly, Jay creates a monster. The gym gives Will not just new-found purpose, but triggers an addiction that totally transforms him from quiet and shy into a vain, self-absorbed and destructive force.

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Albatross, Gate Theatre

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by Laura Kressly

There aren’t many writers who conjure stories the way Isley Lynn can. Her innate instinct for achingly human characters in situations rarely – if ever – seen on stage sets her well apart from most young playwrights. Her oeuvre includes Skin a Cat, a hilarious and necessary story of a young woman navigating dating and sex whilst unable to be vaginally penetrated, and Tether, the journey of a blind woman and her guide training for a marathon. These intimate stories leave a huge impact when set on stage, their echoes long reverberating with her audiences.

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Nest, VAULT Festival

by an anonymous guest critic

Nest is a beautiful two-hander by Katy Warner, which was understandably shortlisted for Theatre503’s playwriting award. Travelling through an unconventional, council-estate couple’s journey, the play invites the audience into snippets of their relationship, through a series of non-chronological scenes.

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Trashed, VAULT Festival

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by guest critic Amy Toledano

Trashed is a high energy, thrilling and heartbreaking show that has the audience hooked from beginning to end. David William Byran plays Keith – a rubbish collector from a working class community in the UK. Throughout, Keith is engaging with the audience, asking questions and offering some of his beer, which he drinks continuously throughout the piece.

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FCUK’D, The Bunker

Will Mytum in FCUK'D. Photo: Andreas Lambis

A young man waits impatiently for his little brother Matty to finish school. Alone on a football pitch amongst piles of dead leaves, he frets over his alcoholic mum, the state of their home and the letter from social services informing them that Matty will be taken away.

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The End of Hope, Soho Theatre

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a co-production with the Orange Tree Theatre

You only find round beds with pink satin sheets in particular places or owned by particular people. But it’s safe to say that a woman wearing a full, fur-suited mouse costume complete with face/head mask is not one of these.

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