Jade City, The Bunker

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by Laura Kressly

When Sas and Monty were kids, the world was full of possibility and adventure. Now that they’re grown, poverty, loneliness and their pasts have trapped them in Belfast, barely able to leave their flats. Infantilised by unemployment, they stay in and play pretend like they did as children. Whether its as bin men, Cuban revolutionaries or global travellers, The Game lets them ignore the harsh reality of the social and economic systems keeping them down. In Alice Malseed’s play, the past, present and imagined flow into each other like the lads’ days do, but Sas thinks its time they grow up.

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How to Survive a Post-Truth Apocalypse, Battersea Arts Centre

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by guest critic Amy Toledano

Francesca Beard delves into the complex subject of truth and looks at how it could be perceived in a post-apocalyptic world. Using spoken word (which Beard is clearly a pro at) as well as song and multimedia imagery, the audience takes a journey with their Shaman and guide Francesca who hopes to lead them to the real meaning of truth.

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Notorious, Barbican Centre

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by guest critic Nastazja Somers

It wasn’t by accident that I ended up seeing The Famous Lauren Barri Holstein’s new work The Notorious at The Barbican Centre. Give me feminism, plenty of liquids and general messiness on stage and I’m there, screaming my head off, like when Lucy McCormick performed her Triple Threat two years ago at Edinburgh Fringe.

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