The Distance You Have Come, Cockpit

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by Amy Toledano

Scott Alan is a long-standing cult favourite amongst musical theatre enthusiasts and his most recent song cycle The Distance You Have Come weaves in his most popular numbers with some newer ones. But whilst this cast is stellar, the ‘story’ is a little bit of a stretch. It’s the songs and actors that make this show most enjoyable.

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Blackout, VAULT Festival

 

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by guest critic Lara Alier

Uber, happy hour, Tinder, late night cheesy chips are all part of the vocabulary of a Londoner’s life. So are two complete strangers waking up next to each other. Usually one of them will remember, and even find a blurred picture of you both at 4 am surrounded by empty glasses. Yet neither has any memories of the night before.

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Feature | Addiction and the Audience in People, Places & Things

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by guest critic Steven Strauss

Heaps of deserved praise has been showered on Jeremy Herrin’s production of Duncan Macmillan’s People, Places & Things, with much directed at Denise Gough’s thrillingly committed performance of a struggling actor in rehab. Yet after seeing it at Wyndham’s Theatre in mid-2016 then its New York City run this year, it’s easy to see there’s more to it than Gough. A second, transatlantic viewing proves just how thoroughly the production theatricalises addicts’ experiences in order to generate audience empathy with the struggle to overcome addiction.

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