Mephisto [A Rhapsody], Gate Theatre

Image result for mephisto, gate theatre

by Laura Kressly

Aymeric has been working at the Balbek Theatre, in a small town miles away from the nation’s capital, its culture and politics, for five years. He longs for fame, excitement and to leave the relentless monotony of provincial life behind him and will do anything to achieve these goals. Along with his discontent, right-wing sentiment grows across the country. In the capital, the ‘liberal elite’ make great art, drink champagne and argue over how, as state-funded artists, they should respond to the rising fascism – or if they can at all.

Continue reading

Wolfie, Theatre503

Image result for wolfie, theatre503

by Laura Kressly

Britain is a nasty, hostile landscape of bureaucracy for children in care. Their lives are at the mercy of under-resourced local councils, overworked social workers and teachers, and a hegemonic class system that sees them as unwelcome, sub-human burdens. The Sharky twins, the heroes of Ross Willis’ “some sort of fairytale”, fight to defy the government’s disregard for the hardship they endure and their odds of survival in this genre-bending, complex critique of the county’s failings to look after those who need it most.

Continue reading

The Show in Which Hopefully Nothing Happens, Unicorn Theatre

6A1479BE-657E-4594-8658-FF48CD9D79E3

By Laura Kressly

For a show in which hopefully nothing happens, there are plenty of weird and wonderful things that unfold, of course. Because a children’s show – or one for adults for that matter – would be incredibly dull indeed if nothing happened, but that’s absolutely not a worry here. 

Continue reading

42nd Street, Drury Lane Theatre

Image result for 42nd street london

by Amy Toledano

It’s the early 1930’s and, “Julian Marsh is puttin’ on a show!”. Pretty Lady is the latest production from the famous director, and all of the local, out-of-work actors are thrilled to have jobs again. But show business is never easy, and this one in particular is no stranger to the trials and tribulations that come with rehearsing a smash hit.

Continue reading

NetherBard, TheatreN16

Image result for witches

by Amy Toledano

In a man’s world, Budding Rose Productions is creating space where women take the lead, playing the kings, the warriors, and fools. And while our four actresses bring guts to this unique show, the potential for a feminist, Shakespearean world isn’t completely met. The characters feel quite 2D and a desperate need of fleshing out is in order to deliver such a powerful message.

Continue reading

Three Sisters, Yard Theatre

9C40A1B9-8295-4A0F-A2DB-0405194A76A4

By Laura Kressly

British theatre’s slavish reverence for classic texts stifles innovation, resulting in safe, similar productions of the same collection of canonical works. This attitude needs to be challenged, and RashDash’s Three Sisters proves they’re the company to do it. Their female-centred, millennial take on Chekhov’s story of three women trapped in the Russian countryside pining for their old lives in Moscow is a gloriously irreverent and refreshing interpretation.

Continue reading

Sacha Guitry, My Daughter and I, Drayton Arms Theatre

https://i1.wp.com/livetheatreuk.co.uk/wp-content/uploads/2018/01/2AAC137D-87EF-42C1-AE7D-0668BAE1FA6C.jpeg?fit=2048%2C1367&ssl=1

by guest critic Kudzanayi Chiwawa

Director Marianne Badrichani brings us this adaptation inspired by Sacha Guitry, a 20th Century playwright, actor and director. It includes short plays and extracts of his works, performed by an ensemble of three – Edith Vernes, Sean Rees and Anais Bachet.

Continue reading