Mephisto [A Rhapsody], Gate Theatre

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by Laura Kressly

Aymeric has been working at the Balbek Theatre, in a small town miles away from the nation’s capital, its culture and politics, for five years. He longs for fame, excitement and to leave the relentless monotony of provincial life behind him and will do anything to achieve these goals. Along with his discontent, right-wing sentiment grows across the country. In the capital, the ‘liberal elite’ make great art, drink champagne and argue over how, as state-funded artists, they should respond to the rising fascism – or if they can at all.

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Mouthpiece, Soho Theatre

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by Lauren Gauge

Written with deft humour, Mouthpiece is a sharp scalpel used to dissect the highly sensitive and nuanced issues of representation, consent, agency and the ongoing ignorance between the opposing ends of the class system.

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Wolfie, Theatre503

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by Laura Kressly

Britain is a nasty, hostile landscape of bureaucracy for children in care. Their lives are at the mercy of under-resourced local councils, overworked social workers and teachers, and a hegemonic class system that sees them as unwelcome, sub-human burdens. The Sharky twins, the heroes of Ross Willis’ “some sort of fairytale”, fight to defy the government’s disregard for the hardship they endure and their odds of survival in this genre-bending, complex critique of the county’s failings to look after those who need it most.

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The Show in Which Hopefully Nothing Happens, Unicorn Theatre

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By Laura Kressly

For a show in which hopefully nothing happens, there are plenty of weird and wonderful things that unfold, of course. Because a children’s show – or one for adults for that matter – would be incredibly dull indeed if nothing happened, but that’s absolutely not a worry here. 

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42nd Street, Drury Lane Theatre

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by Amy Toledano

It’s the early 1930’s and, “Julian Marsh is puttin’ on a show!”. Pretty Lady is the latest production from the famous director, and all of the local, out-of-work actors are thrilled to have jobs again. But show business is never easy, and this one in particular is no stranger to the trials and tribulations that come with rehearsing a smash hit.

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