by Laura Kressly
Bobby’s a bright, enterprising young man, so when his dad demands he get a job and do something with his life other than get stoned, he does. Desperate to impress his elders but with little sense for his actions’ consequences, Bobby’s series of bad decisions leads to catastrophe. But this new play, laden with thematic complexity, cuts the story short before it has the chance to fully resonate.
Jess, Dana and Ruth are living it up in a London flatshare. Fresh out of uni, they’re drinking and partying like it’s their job and generally loving life. But their blissful bubble is burst when Jess comes home with her dad in tow after her mum kicked him out of the house. As the night wears on and Jim joins in with his daughter and her flatmates’ antics, ugly truths are revealed in each of the four characters and there’s no going back.
by guest critic Liam Rees
Think about your parents, or a parental figure. How have they impacted who you are now? Whether positive or negative some mark will inevitably and irrevocably remain.
Now consider the effect of growing up in a religious home, specifically as the child of a minister. The stereotypes that come to mind are either that they’ll dutifully keep the faith, join the ministry or violently rebel, like Nietzsche proclaiming ‘God is dead’ or worse, put those oratory skills to use in the theatre. Performers, and children of reverends, Rob Drummond and Nicholas Bone seem to exist somewhere in between the stereotypes.