Gundog, Royal Court

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by Laura Kressly

A newborn lamb lies on the ground. It’s dead. It’s mother will soon follow, but there are others that are still alive or yet to be born, and they need help. Bec and Anna fight for the survival of these tiny creatures as if their lives depend on it.

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Great Expectations, Old Red Lion Theatre

Joshua Asare as Pip in Great Expectations at Old Red Lion.

by guest critic Lara Alier

Re-imagining a classic is a courageous act. Tom Crowley’s adaptation follows the journey of a young man struggling to find his place in modern day England and it’s pervasive class system.

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All the Little Lights, Arcola Theatre

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by guest critic Gregory Forrest

Hilarious and heart-breaking in equal measure, Jane Upton’s work is a darkly realistic shock to the system. Nominated for Best Play at the Writers’ Guild of Great Britain Awards 2017 and joint winner of the 2016 George Devine Award, All the Little Lights is an astonishing achievement.

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Jane Eyre, National Theatre

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One of the unfortunate side effects from my time as a secondary school Drama teacher is that Brechtian staging has been ruined for me forever. Brecht is particularly beloved by Drama teachers what with his trademark styles that work particularly well with low production budgets and the diverse abilities of most Drama classes. He is also part of GCSE and A-level syllabuses, and as such, I’ve imparted his techniques to young people entirely too frequently over my short time at the chalkface. His work will long be associated with devised exam productions and low-budget school plays, so anything similar on a professional stage is burdened by those memories.

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Me and Robin Hood, Royal Court

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by guest critic Maeve Campbell

Shon Dale-Jones and Hoipolloi’s Me and Robin Hood has admirable intentions in aiming to raise awareness and money for charity ‘Street Child’. Dale-Jones’ one-man show is a personal narrative, part biography and part discussion on class and wealth divisions in Britain. The mythical medieval do-gooder is a central figure in the piece, an inspiration and obsession for the socially conflicted Dale-Jones.

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Girl From the North Country, Old Vic

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In Duluth, Minnesota, ships, trains and buses come and go under a sweeping midwestern sky heavy with snow. It’s 1934, the height of the Great Depression. A desperate, drifting populace chase the shadows of their debtors and rumours of work in and out of the port city.

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