Art Heist, Edinburgh Festival Fringe

By Joanna Trainor

Poltergeist Theatre Company’s Alice Boyd could read you the yellow pages, and it would sound like the most magical book you’ve ever heard.

What is art? Who gets to decide that? Why is it so hard to draw a moustache on your own face? Poltergeist Theatre Company deal with all of life’s big questions in their follow up show to last year’s sell-out smash Lights Over Tesco Car Park. 

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80 Days: A Real-World Adventure, Underbelly Southbank

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By Meredith Jones Russell

Loosely based on Jules Verne’s classic adventure novel Around the World in 80 Days, Fire Hazard Games’ new immersive game 80 Days: A Real-World Adventure invites groups to race across central London solving clues, raising funds, making critical expedition purchases and deciding whether or not to trust the characters they meet along the way.

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SHIFT, Edinburgh Fringe Festival

by guest critic Rebecca JS Nice

Barely Methodical Troupe members Louis Gift, Esmeralda Nikolajeff, Elihu Vazquez and Charlie Wheeller​ are bound together by their reliance on each other to lift, and catch so that very little happens independently. SHIFT plays with balance, direction and suspension by adding an object to the ensemble that has the strength and flexibility to bear weight and change gravitational paths. A giant elastic band acts as a naughty fifth body and limb, changing up the choreography and providing endless opportunities for play and experimentation.

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Elixir, Underbelly Southbank

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by guest critic Rebecca JS Nice

Elixir’s programming at Edinburgh Festival 2016 packed out the purple cow and Thomas Gorham, Rowan Thomas and Cal Harris filled the expansive space with charisma and flying bodies. Playing to a much more intimate audience in the Underbelly’s Spiegeltent this year, Australian company Head First Acrobats carefully adapt their relationship with the audience which is bought right up close to a whizzing cyr wheel and regurgitated tonic water.

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