by Bryony Rae Taylor
Notflix is performed by an all-women musical improv troupe. They ask audiences to suggest a film which has not yet been made into a musical, so that they can make it into a musical – and then they make it into a musical.
The film on the night I am there is The Holiday, the one where Kate Winslet and Cameron Diaz house swap and LOVE HAPPENS. You know the one.
By Zahid Fayyaz
Spies Like Us Theatre have returned for one week with their award-winning show from 2017’s Edinburgh Fringe. A five-person adaptation of the Graham Greene satirical novel, this one-hour show follows the story of a local vacuum cleaner salesman pushed into working as a spy for MI6 in Cuba, Havana.
by Emma Lamond
This is a fun and eccentric poetry show which celebrates the best, the worst, and the otherwise un-noteworthy in us all.
by Matthew McGregor-Morales
Magic birthrights, long-lost heirs and horrific “juicing” procedures: Hivemind’s one-night fantasy improv just about has it all. The team behind Edinburgh Fringe’s 2017 Playlight Robbery have brought their 2018 fantasy epic improv to London stages, and you can see they’ve done this (well, not exactly this) before.
by Amber Pathak
With nothing but a few chairs and the players’ brilliant minds, LGBTQFA keeps your sides hurting for days afterwards. Featuring the amazing, musical comedy sketch-duo Shelf, this is a two-show-in-one treat. It’s difficult to find a comedy show exposing serious issues without feeling forced, yet this is exactly what the evening provides – a hilariously woke opener from Shelf with some killer tunes, followed by a fully-improvised show by the Free Association.
by Bryony Rae Taylor
[A]n age-old improvising exercise is the one where two players perform a scene in which each line begins with the next sequential letter of the alphabet.
[B]ecause my review could just be: ‘good improvisers have good nights, and good improvisers have bad nights: BattleActs, an improv group that split into two teams and battle for points, are very good and they had a very good night…’
Instead, here’s what happened on the night I saw them. In alphabetical order.
By Meredith Jones Russell
Transporting audiences back to 1979, when Britain was on the brink of political collapse for the second time in a decade, Parabolic Theatre’s disconcertingly timely immersive live-action board game Crisis? What Crisis? is a thrilling opportunity to put yourself in the driving seat of power.