Resonate, VAULT Festival

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By Zahid Fayaz

This is the first preview performance of a one-man show following Jacob, a young man trying to turn over a new leaf away from his previous life as a hard-living and loving party animal. He’s doing this through Jesus and focusing on his education. He is, however, finding this difficult due to constant interruptions from his friends and ex-girlfriends whilst he is trying to finish an assignment.

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Sound Cistem, VAULT Festival

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by Grace Bouchard

Heart-thumping music blaring, performers Ayden Brouwers and Lizzie Morris take the stage. As they dance towards each other, vibrant disco lights hitting their slow moving bodies, they ask “How do we look?” and “How do you look?”. It is at this point that we realise why we are here. We are here to look, and to observe.  Simply through the act of being in the room with them, I am complicit in demonstrating the impact the cis gaze has on transgender bodies.

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It’s Not a Sprint, Vault Festival

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by Christina Bulford

Ever felt like you were stumbling through life rather than running it? Living in London can feel like a sprint sometimes, barging up and down escalators and chasing pay cheques whilst trying to hold family and friends, a career and a love life together in your sweaty palms. As if that wasn’t enough, you meet stumbling blocks along the way, like: what day do I need to put the bins out? How many weeks is it acceptable not to wash my sheets? Will I ever be grown-up enough to be in bed by ten, or to do a weekly shop?

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Landscape (1989), VAULT Festival

by Joanna Trainor

Please, you’ve got to stop eating the floor mushrooms!

It’s 1989 in Oregon. Political scientist and author Francis Fukuyama has declared it the “End of History” as the Berlin Wall is pulled down and the Cold War is finished. And in the Malheur National Forest in Oregon, mushrooms are popping up all over the place.

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Gilded Butterflies, Hope Theatre

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by Amy Toledano

There have been several different mediums focusing on the story of the female prisoner, especially from the US and Gilded Butterflies, while following this same theme, pays particular attention to the prisoner herself. It gives her story a voice and allows for a deeper understanding of her perspective. This two-hander is a lovely exploration of not believing everything you hear.

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Polaris, Edinburgh Festival Fringe

by Laura Kressly

Val is a concerned, elderly citizen of her community. She believes that if everyone followed the rules on refuse disposal and the agreed schedule for mealtimes, every thing would be peaceful and orderly. She also believes that recent arrivals like Tracy, displaced by natural disasters, aren’t her problem.

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