by Dora Bodrogi
A piece called Naked is sure to bring a memorable experience. Dancer duo Luke Vincent and Paige-Marie Baker-Carroll’s piece does not disappoint. Theirs is a performance that mixes dance, cabaret, theatre, music, and unconventional movement with the aim of putting unapologetic, raw self-expression in the spotlight in a way that lingers long after the lights fade.
by Fergus Church
[/activate sensory simulation database]
[sensory simulation database pending]
[sensory simulation database complete]
[location: vault festival]
[/see:] dim corridors. neon and spray paint and brick.
[/smell:] must. vimto-flavoured vape. cigarette smoke. beer.
[/feel:] water sweat-dripping onto crowns of heads. dusty warmth.
[/hear:] chatting. applause. glasses clinking behind the bar. a pub quiz announcer.
[/taste:] breath mints. mould in the air.
by Verity Sharpe
This is a spectacularly brilliant show which fuses conventions of both horror and comedy, effortlessly guiding the audience on the protagonist’s journey of revenge. It follows a young woman who has been stepped on her whole life by those she should have been able to trust.
by Laura Kressly
Oily Cart makes gently immersive, highly sensory performances for people under five years old, and people with complex needs. This winter-themed touring show for little ones takes them into a world of colourful lights, dark shadows and sparkly parcels that reveal an array of treasure, from reams of bubble wrap, to coloured lights to a magnificent puppet constructed out of cellophane. As lights dim and glow amidst the white drapes and shimmering cushions, children are invited to explore the tactile, etherial landscape that evokes the the wonder of unwrapping presents on a snowy Christmas morning.
by Gregory Forest
Frankenstein is a tour de force.
A choral, beatboxing, rap-infused version of Mary Shelley’s masterpiece, Battersea Arts Centre’s ‘live concept album’ manages to entertain and analyse our world in equal measure.