Handel’s Messiah: The Live Experience, Drury Lane Theatre

by Euan Vincent

When Handel wrote the Messiah in 1741, he faced fierce competition within the dwindling operagoing-market to get more bums on seats. Opera was seen as obtuse, elitist and too expensive (oh, how times have changed). Faced with this reticence, Handel wrote Messiah as an oratorio, which is similar to opera but isn’t typically staged, is written in English and focuses heavily on Christian themes – all of which were designed to broaden the appeal of his piece to the widest audience possible.

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NOW week 1, The Yard

Image result for julie cunningham, firebird

by Laura Kressly

The Yard is at the forefront of innovative theatre and performance in London, and their NOW festival aims to share some of the most cutting-edge and relevant work being made, well, right now. Week Two presents Ultimate Dancer and Julie Cunningham’s fire bird, a double bill of striking visuals and classical music, with very different moods and styles.

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