Broken Wings, Theatre Royal Haymarket

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by guest critic Amy Toledano

It is rare that a new musical has the kind of oomph that Broken Wings has in a run lasting just four days. This show has shown that a brilliant cast, outstanding musicians and phenomenal score can create true magic.

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Bismallah! An ISIS Tragicomedy, VAULT Festival

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by Maeve Ryan

Bismillah! An ISIS Tragicomedy is a consummate two-hander played out entirely in one location: a cell in Iraq, which houses an ‘infidel’ British soldier held by Islamic State. The twist is that the captor in the story is also English, or, as the character says, ‘born in England’. Tension is sustained by the captor/hostage dynamic and the sense of very real violence.

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Alien Land, VAULT Festival

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by Laura Kressly

Saeed is a Bedouin Palestinian refugee, currently in prison. With no one to speak to, his imagination conjures all sorts of beings and memories. He tells the walls his family history and remembers an old man, a donkey, and and a faceless alien. But this disjointed piece takes too long to come together, and the chosen style confuses and disorientates rather than fully rallies the audience to his side.

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