80 Days: A Real-World Adventure, Underbelly Southbank

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By Meredith Jones Russell

Loosely based on Jules Verne’s classic adventure novel Around the World in 80 Days, Fire Hazard Games’ new immersive game 80 Days: A Real-World Adventure invites groups to race across central London solving clues, raising funds, making critical expedition purchases and deciding whether or not to trust the characters they meet along the way.

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Exceptional Promise, Bush Theatre

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by Laura Kressly

1. What is ‘Exceptional Promise’?
a. Another name for a UK Tier 1 visa
b. An interactive game show-slash-performance piece
c. A critique of the cesspit that is London’s housing market
d. All of the above

If you answered ‘D’, then you win! You’re one step closer to getting the keys to your dream house. But first – you need to survive the rest of the rounds and beat your other two opponents, otherwise you’re doomed to dodgy landlords and housemates forever.

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Lamplighters, Vault Festival

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by Meredith Jones Russell

Billed as part theatre, part game, part improv comedy, Lamplighters is certainly attempting to cast its net as wide as possible when it comes to appeal. Based on host and star Neil Connolly’s attempt to relive his favourite childhood game, it asks willing audience members to join in a madcap game of John le Carré-style spies.

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Binaural Dinner Date, Rich Mix

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by Laura Kressly

I haven’t dated since 2004. Yet despite this, I find myself sitting down with a stranger in a restaurant serving up a menu of activities, games and binaural sound prompts instead of food. These are meant to foster an intimate connection with my date, who I have just met courtesy of a cheerfully efficient stage manager/maitre d’.

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Fatty Fat Fat, Vault Festival

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by Laura Kressly

Katie Greenall is a poet, musical theatre teacher and fat. She’s pretty much always been fat, and the world hasn’t let her forget it. Her reflection on life as a fat person is hilarious and vulnerable, poetic and frank, and deserving of every cheer she gets.

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