Red Palace, The Vaults

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by Laura Kressly

In an unnamed kingdom long ago, the prince celebrates ruling for 1000 days despite a prophesy saying that his reign will only be that long. He is convinced he defeated the fates, so has invited his citizens – nobles and peasants – to explore the wonders of his palace in a night of feasting and debauchery. Exploiting the Vaults’ atmospheric tunnels, writer Cressida Peever draws on Edgar Allan Poe and the Brothers Grimm to create this promenade and gently immersive, dark fairytale.

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Anansi the Spider, Unicorn Theatre

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by Laura Kressly

They say that a long time ago animals could talk, just like people do now. Anansi the spider was the smartest of all these ancient creatures, and used his intelligence for all sorts of nefarious aims. His legacy of scheming lives on as a collection of stories from West Africa to the Caribbean. This new production presents three of them where the mythical trickster isn’t always the nicest, but directed by Artistic Director Justin Audibert for 4-7 year-olds, they are engaging morality tales with music, interaction and excellent performances.

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Robin Hood: The Arrow of Destiny, Theatre Peckham

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by Laura Kressly

Everyone knows the myth of Robin Hood – a heroic forest dweller fights against injustice by stealing from the rich to help the poor in medieval Nottingham. Is there any truth is the story, though? Richard Hurford’s interpretation suggests Hood isn’t particularly ambitious and a bit shy; he just wants to hang in the woods with his mates. The real hero is Maid Marian, but she knows she won’t be taken seriously as a woman.

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Snow White and the Happy Ever After Beauty Salon, Ovalhouse

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By Laura Kressly

I’d never considered hair salons to be the domain of estranged, murderous sisters, but this contemporary, actor-muso update of Snow White shows a darker underbelly of this normally jolly place. At the Happy Ever After salon, Trish has built a beauty empire that she rules with an iron fist, toxic pomades and razor sharp scissors. Punctuated by original vintage-style tunes, puppetry and engaging performances, this show is a sophisticated pantomime that’s diverse, accessible and fun.

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Beauty and the Beast, King’s Head Theatre

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by Amy Toledano

Fat Rascal Theatre Company has created magic in their gender-swapped, musical parody of Beauty and the Beast. This show offers an interesting look at the ideologies behind most classic fairy tales and quite literally turns it on its head with a sharp book, catchy score and brilliant performances.

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