Dido, Unicorn Theatre

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by Laura Kressly

If theatre has a reputation for being inaccessible and snobbishly high cultured, opera is doubly regarded as such. Fortunately, the Unicorn and ENO teamed up to make this young people’s version of Dido and Aeneas, pared down to 60 minutes with an easy-to-understand story for secondary school students. However, the story is pitched as placing Dido’s teenaged daughter at the centre, but this version is not reconfigured enough to make her more than a passive observer of her mother’s collapse.

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The Show in Which Hopefully Nothing Happens, Unicorn Theatre

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By Laura Kressly

For a show in which hopefully nothing happens, there are plenty of weird and wonderful things that unfold, of course. Because a children’s show – or one for adults for that matter – would be incredibly dull indeed if nothing happened, but that’s absolutely not a worry here. 

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Feature | Top Ten Shows of 2018

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by Laura Kressly

Growing global discontent has been the hallmark of 2018, and 2019 is looking even worse. The last few years have marked a rise of the far-right, but theatremakers in opposition are letting audiences know it from the stage. Some of the best shows of this year show anger, fear, uncertainty or simply let the world know that enough is enough – it’s time for a fairer, more peaceful society that pays homage to all of its people.

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Beginners, Unicorn Theatre

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by Laura Kressly

Kids are intuitive. They’re smart, observant and know a lot more about the world than adults think they do. Tim Crouch’s play where adults and children play each other and kids eventually run the show also proves that they aren’t that different from each other anyway. Whimsical design, innovative dramaturgical devices and an unwilling to patronise young people with obvious storytelling combine to create a marvellous and thoughtful piece of theatre for all ages.

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Othello, Unicorn Theatre

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by guest critic Hailey Bachrach

Ignace Cornelissen’s Henry the Fifth, which was at the Unicorn Theatre in 2015, remains one of my favourite versions of that play ever. Setting King Henry’s French wars in a sandbox, Cornelissen simplified without dumbing-down the central themes of Shakespeare’s play.

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Wild Life FM, Unicorn Theatre

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by guest critic Kudzanayi Chiwawa

Kim Noble, Pol Heyvaert, Jakob Ampe and the nine, young singer/songwriters they worked with describe this piece as part gig and part play, and it’s exactly that. The show unfolds as if in a radio station’s live broadcast, with a clearly confident cast carrying you through the unusual format, allowing the audience to simply enjoy it.

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