Big Girl, Bread & Roses Theatre

by Laura Kressly

Emily Jane Rooney longs for a world that doles out praise for being happy rather than being skinny, and where people can comfortably be their true selves. On the other hand, she wants the posh kid she works with to just fuck off. This clever use of contrast – switching from warm and vulnerable, to biting and sharp, and back again – keeps this one-woman show consistently engaging and fun despite a few underdeveloped moments that don’t fully cohere with the rest of the narrative.

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Bubble, online

Image result for bubble, kieran hurley

by Euan Vincent

In 2002, Suzan-Lori Parks set herself the task of writing a play a day for 365 days. Parks
would eventually release the performing rights for $1 per play, sparking a continent-wide theatre festival that took Parks’ work, and theatre, to a host of new audiences and venues. Theatre Uncut follow a similar ethos.

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Have I Told You I’m Writing a Play About My Vagina?, Edinburgh Festival Fringe

Image result for pink tulle

by Laura Kressly

Bea wants to get drunk and get laid, as often as possible and with no strings attached, but she has a problem. Whenever anything tries to enter her vagina, it hurts. A lot. It’s like her vagina closes up and throws a tantrum about the probing finger, penis or sex toy, and it’s ruining Bea’s life. In Ella Langley’s tentative but hopeful new play on living with and overcoming Vaginismus, Bea’s vagina is suitably personified and Bea must get Vag to trust her again.

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