Cinderella, Fairfield Halls

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by Laura Kressly

Croydon’s Fairfield Halls re-opened to much fanfare this year, and their traditional pantomime – with all the glitz, glamour and gags that you’d expect – is ramped up with Disney-quality animations, LED screens and special effects. Though all the problematic elements of panto are still there – like heteronormativity, misogyny, and narrow gender roles – this production showcase the capabilities of tech within what is now a conservative form.

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Seven Methods of Killing Kylie Jenner, Royal Court

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by Romy Foster

Kylie Jenner has just been announced as the world’s first ‘self-made billionaire’ and Cleo is VEX. Feeling this is undeserved, she has launched a tirade of tweets from her anonymous Twitter account @Incognegro about how to kill a social media entrepreneur or, as Cleo thinks of her, a ‘con artist-cum-provocateur’. She is now shut in her bedroom receiving persistent whatsapps from best friend Kara, who is worried about Cleo’s online rant.

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Club Tropicana, New Wimbledon Theatre

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by Amy Toledano

An eighties jukebox musical set on the sunny coast of Spain sounds like a fun night out. However, Club Tropicana highlights the ignorance of British people on all-inclusive holidays, trivialises and stereotypes entire communities of people (in this instance the LGBTQ+ and Spanish communities), and scrapes the bottom of the barrel for a story that has clearly been written in order to serve the eighties tracks, with one-liners that are the lowest common denominator of gags.

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Feature |The Whitewashing of La Mancha

Windmills in Consuegra.

by Tony Diaz

The English National Opera’s upcoming concert performance of Man of La Mancha, a musical inspired by the Spanish classic novel Don Quixote, takes place in Spain where, coincidentally, all of the characters are Spanish. However, this production seems to include no performers of Spanish or Latinx descent.

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Tilda Swinton Answers an Ad on Craigslist, Vault Festival

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By Meredith Jones Russell

Idiosyncratic, eccentric, fearless and alien-like are just a few of the descriptors a rudimentary Google search of Tilda Swinton will throw up. Based on these, Byron Lane’s Tilda Swinton Answers an Ad on Craigslist has absolutely captured the essence of an icon. It has undoubtedly created a new one, too.

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Thriller Live, Lyric Theatre

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by Louis Train

Thriller Live, the Michael Jackson concert show on the West End, celebrated its tenth anniversary last night with a performance and a reception. The performance was great fun and the reception was tasteful, and the evening, overall, was a success. But I feel there were some lingering questions that neither the personalities on stage nor at the party can answer.

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