Killed: July 17th, 1916 for everything theatre

“…On first impressions, the superior set evoked the patriotic idealism of small town England at the start of WWI. It was so well-designed and well made by the talented Dave Benson, that it would easily have been at home on West End stage…

“The play uses a non-linear structure to tell the story of Billy Dean, a volunteer solider from Bradford, sentenced for cowardice in the face of the enemy…The best element of this production is the script and story…Even though the ending is rather abrupt, to alter it would take away from the harsh circumstances.

“The performances are good, but not outstanding. This is mostly because the characters were written without a great deal of depth but they still suit the story as they are…

“The costumes were of a high calibre for fringe theatre…costume designer Lorena Sanchez’ creative talent certainly shined through. Sound designer Max Thompson’s relentless bomb blasts during scene transitions became predictable…We certainly never forgot the world of the play was amidst the front lines of WWI.

“This is a story that definitely needs to be performed again. Director Elizabeth Elstub handled it clearly and simply, without any complex directing trickery…”

Read the entire review on everything theatre here.

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