by Diana Miranda
“This gig gets weird”, announces Bradán Theatre in their publicity blurb. And weird it gets as it tackles the climate crisis through an absurdist script infused with Irish mythology and folk music, presenting a majestic salmon as an icon of environmental awareness, and veering from metaphors to literal meaning in quite a jarring spin.
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by Laura Kressly
At Ria’s first gig after moving to London to work as a musician, she is captivated by an Irish bartender, Daniel. They soon develop an intensely unhealthy, co-dependent relationship where she wants to fix him and he struggles to survive a debilitating mental illness. Using music to document their relationship, her feelings towards her absent father and living down south, this soulful gig-theatre show conveys her all-consuming experience with gentleness and a big heart.
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by Zahid Fayyaz
As the audience enters the venue, a band is onstage waiting. The five-piece, all-woman band stays there the whole time, playing punk rock in between performing the play’s scenes. They tell the story of eight years from a girl’s life spent growing up, falling in love, making a mistake, and her life falling apart due to horrific things happening to her. She then attempts the long road to recovery, with the help of her mother and therapist.
by Grace Bouchard
(CW: rape)
If you ever went to a house party when you were 16, you should probably go and see Superman by Rose Eye Productions.
by Isabel Becker
We get it. We do. Angst about our mothers – their infuriating quirks, the emotional and psychological damage passed down to us as though encased in our very DNA – it’s an oasis of material. The complexities of the mother-child relationship hold such potential for theatrical exploration, as we have seen from classical tragic melodramas like Sophocles’ Oedipus Rex to modern commercial musicals like Hairspray.
by Evangeline Cullingworth
Yes, this is my first time in Dingle – no, I’ve not been out on the peninsula yet and yes, I’ll make sure to say hello to Fungie. The next thing I know we’re splitting a bag of Taytos with the row in front and cheering along to a traditional song that has risen up. And the play hasn’t even started yet.
By Laura Kressly
It’s election day in Lovelyville, a place that lives up to its name and is the exact opposite of Britain at the moment. Its citizens are friendly, cheerful and compassionate, and when Nick Dallas is reelected president, things should keep ticking on quietly as usual. Of course, people can’t leave well enough alone and good things never last forever – Mr and Mrs Ubu have just arrived in town with sinister ambitions.
by Laura Kressly
When Cora Bissett was 17, she joined a band. It’s the stuff of many indie kids’ school days, but Darlingheart found overnight success. They went from tiny venues to opening for the biggest britpop bands in the country in an extraordinarily short time, but their fame was just as short-lived. Bissett’s show, assembled from the diaries she kept as a child and into adulthood, chronicles her rise to fame and subsequent readjustment to real life. Tenacity, banging tunes and engaging storytelling celebrate Bissett’s resilience whilst critiquing the music industry in this vibrant gig-theatre piece.
by Laura Kressly
“Welcome to the glitter zone!”
I’m greeted exuberantly by one of the actors, who are mid-yoga warmup when I arrive. Though I try my best to quietly enter their rehearsal space, I’m flustered by a series of train and tube delays that mean I arrived nearly half an hour after I intended and it’s impossible for me to not be noticed. I self-consciously wave, smile, and settle into the chair that’s closest to the door. There are musical instruments, costume, sound equipment and lots of ‘stuff’ everywhere in their Tooting rehearsal room overlooking a school’s playground. And indeed, glitter.
by Meredith Jones Russell
In this semi-autobiographical tale of a working-class Black kid who gets in to a prestigious grammar school, writer and performer Daniel Ward is an insanely likeable and undeniably talented focus. His character, Bird, draws us immediately into his story with warmth and charm, accompanied by original grime and hip-hop tunes.
The Play's The Thing UK 