by Diana Miranda
The downstairs venue has a combo treat this weekend – an indie-rock gig, a spoken word poetry slam and a solo show. All of that is under the single name of head/lining, a gripping play written and performed by Charlie Heptinstall.
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by Laura Kressly
Women’s anger is often expected to be suppressed or contained rather than be unleashed on the world. Otherwise, we risk being labelled ‘crazy’ or ‘a bitch’, no matter what injustice we experience. But Femi can’t hold it in anymore. The night before the group of white men who killed her killed her brother Seun on Margate’s beach face charges of manslaughter, his ghost visits her to share the truth of his death. Initially baffled by her dead brother’s appearance, she is transformed into an embodied fury that cannot and will not stop until she gets revenge.
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by Emma Lamond
This is a fun and eccentric poetry show which celebrates the best, the worst, and the otherwise un-noteworthy in us all.
by Laura Kressly
Rosa’s been bloated and uncomfortable for about week, but she’s sure it’s nothing. She just needs to find some clothes that hide it, and are also suitable for a first date. A week after that, convinced the pain is something she’s eaten or trapped wind, she’s diagnosed with cancer. It’s 1 April 2018. She’s only 23 years old. Despite her hopes for it to be the year she sorts her life out, the reality is much more stark and scary.
by Dora Bodrogi
CW: war, migration, mental health, homelessness
How do you cope when the promise of the West turns out to be a city in the midst of a housing crisis, and you’re only one pay check away from homelessness? A.A. (Danaja Wass) doesn’t really know.
by Laura Kressly
Ella works three jobs whilst trying to forge a career as an actor in London, but misses the slower pace of her hometown of Hebden Bridge. Haseeb is a Muslim factory worker and writer from Cricklewood who is tired of the whiteness in the poetry scene. Though the two meet in a drama workshop that Ella’s, time passes and their love grows. Yet, it’s not enough to compensate for their differences in privilege. This ever-growing elephant in the room becomes harder and harder for the couple to ignore.
by Laura Kressly
Seven-year-old Crispin, newly orphaned and the last remaining member of the Clumps family, has inherited a creepy, country pile called Raddlesham Mumps. Managed by an ancient butler who could have stepped out of a Dickens novel or The Addam’s Family, of course there’s more to this house than meets the eye. The bright and articulate child questions what seem to be supernatural forces and a familial curse, but the answers he gets in this narrative poem are far from savoury.
by Maeve Ryan
Citysong contemplates the timeless cycle of life by following three generations of a family on one important day. Writer Dylan Coburn Gray calls this lyrical piece a ‘play for voices’ and indeed the script began its life as spoken word. It won the Verity Bargate Award, which brought it from Ireland’s national theatre, the Abbey, to London. Both inner city theatres are perfect settings for this evocation of life and family narrated by a cab driver in a rain-soaked, streetlamp-lit Dublin.
by Laura Kressly
In May, the new Poet Laureate will be announced and Luke Wright thinks he’s up for the job. I agree. His lyrical, immediate collection of poems confronting modern Britain’s ills and praising its everyday heroes is a body of work that conveys an understanding and love for the intricacies of the nation.
by Laura Kressly
Katie Greenall is a poet, musical theatre teacher and fat. She’s pretty much always been fat, and the world hasn’t let her forget it. Her reflection on life as a fat person is hilarious and vulnerable, poetic and frank, and deserving of every cheer she gets.
The Play's The Thing UK 