The Full Bronte, The Space

Image result for the full bronte, space

by Jack Solloway

Raucous, loose and incredibly silly, Scary Little Girls’ The Full Brontë is as much about the Brontës as is a bare arse and a lick across the arm. Subjected to both of these, audience member Clive was about as prepared as the rest of us for the romping, light entertainment cabaret about Yorkshire’s most famous sisterhood of writers.

Continue reading

Advertisements

Fagin’s Twist, The Place

462ED248-0CFC-4796-B2E4-1757B175CC63

By Laura Kressly

Charles Dickens’ story of the orphan boy who nicely asked for more dinner in an orphanage before training to become a pickpocket is here refocused on the older ringleader of Victorian London’s underworld, Fagin. In the musical and film, little is shared of Fagin’s backstory.  But it is the beginning of this contemporary dance piece in two acts.

Continue reading

Arabian Nights, Hoxton Hall

Image result for arabian nights, hoxton hall

by Lara Alier

If you close your eyes and I mention ‘Arabian Nights’, what can you see? How does it feel, sound and smell? The description of Hoxton Hall will probably match what you imagine. Strong incense blends with warm lights and the sound of a little fountain adds ambience to the big Arabic arches.

Continue reading

The Unexpected Guest, Mill at Sonning

Image result for the unexpected guest, mill at sonning

by guest critic Meredith Jones Russell

Arriving at the Mill at Sonning you might as well be stepping in to an Agatha Christie novel before Brian Blessed’s revival of The Unexpected Guest even begins. A country retreat where the whole audience dines together before the show, this is an ideal setting for witnessing the rum old business of a classic whodunnit. And The Unexpected Guest does not disappoint.

Continue reading

The Ingenious Gentleman Don Quixote of La Mancha, VAULT Festival

https://vaultfestival.com/wp-content/uploads/2017/11/Little-Soldier-The-ingenious-Gentleman-Don-Quixote-of-La-Mancha%E2%80%99-by-Little-Soldier-productions-Production-Shot-1-1920x1278.jpg

by guest critic Lauren Gauge

At it’s best The Ingenious Gentleman Don Quixote of La Mancha is a one of the most ridiculously fun, liberating examples of interactive, ensemble storytelling. Though the narrative is intrinsic and the episodic adventures of Don Quixote are told with great clarity and comedy, the novel the production is based on is not the main attraction, nor is it important that one knows the original material.

Continue reading

Jane Eyre, National Theatre

https://static.standard.co.uk/s3fs-public/styles/story_large/public/thumbnails/image/2017/09/28/08/nt-jane-eyre-tour-2017-ensemble.-photo-by-brinkhoffmgenburg-12.jpg

One of the unfortunate side effects from my time as a secondary school Drama teacher is that Brechtian staging has been ruined for me forever. Brecht is particularly beloved by Drama teachers what with his trademark styles that work particularly well with low production budgets and the diverse abilities of most Drama classes. He is also part of GCSE and A-level syllabuses, and as such, I’ve imparted his techniques to young people entirely too frequently over my short time at the chalkface. His work will long be associated with devised exam productions and low-budget school plays, so anything similar on a professional stage is burdened by those memories.

Continue reading