Caligari, Edinburgh Festival Fringe

by Laura Kressly

One of the four winners of the Untapped Award this year, an ensemble of young actor-musicians present their take on the 1920 silent film, The Cabinet of Dr Caligari. Using music, movement and narration, the cast stick pretty close to the film but curse the doctor’s victims to a Sisyphean purgatory where they must tell their story over and over again. Though the company employ a visually striking aesthetic and great music, there are some creative choices that evoke the style of an A-level devised piece.

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Queen Mab, St. Paul’s Church

Queen Mab – The Actors' Church, London - The Reviews Hub

by Diana Miranda

Freya, a teenager, is dealing with the micro-universe of lockdown life. She delves into music to evade an annoying younger sibling and two stressed-out parents struggling with employment insecurities. While dealing with home school, Freya daydreams about a boy and wishes she could know if her dreams are reciprocated. Enter Mab, Shakespeare’s neglected character now brought centre-stage in this new play by Danielle Pearson.

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Snow White and the Happy Ever After Beauty Salon, Ovalhouse

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By Laura Kressly

I’d never considered hair salons to be the domain of estranged, murderous sisters, but this contemporary, actor-muso update of Snow White shows a darker underbelly of this normally jolly place. At the Happy Ever After salon, Trish has built a beauty empire that she rules with an iron fist, toxic pomades and razor sharp scissors. Punctuated by original vintage-style tunes, puppetry and engaging performances, this show is a sophisticated pantomime that’s diverse, accessible and fun.

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