We Dig, Ovalhouse

Image result for we dig, ovalhouse

by Laura Kressly

The main stage at Ovalhouse isn’t there anymore. Neither is the floor beneath it or the concrete foundations below, but there is a hole, and a lot of yellowish dirt. Emma Frankland and other four trans and nonbinary artists are energetically digging it, searching for relics and memories of their trans family that preceded them. They also dance, tell stories and share their fears and hopes for the future in this vulnerable and celebratory performance piece on trans identity and lived experience.

Continue reading

Snow White and the Happy Ever After Beauty Salon, Ovalhouse

E0EC182D-2315-40DE-B329-EB0C7AB0A73F

By Laura Kressly

I’d never considered hair salons to be the domain of estranged, murderous sisters, but this contemporary, actor-muso update of Snow White shows a darker underbelly of this normally jolly place. At the Happy Ever After salon, Trish has built a beauty empire that she rules with an iron fist, toxic pomades and razor sharp scissors. Punctuated by original vintage-style tunes, puppetry and engaging performances, this show is a sophisticated pantomime that’s diverse, accessible and fun.

Continue reading

The Dark, Ovalhouse

Image result for the dark, ovalhouse

by Romy Foster

The Dark is an exhilarating and personal journey through the dusty backroads of Uganda in 1979. Jumping between then and present day, Michael Balogun tenderly tells author Nick Makoha’s story of how he and his mother escaped the terror of Ugandan dictator Idi Amin’s reign and crossed the border heading for the UK when he was four years old.

Continue reading

Coconut, Ovalhouse

Image result for coconut, ovalhouse

by guest critic Joanna Trainor

Rumi (Kuran Dohil) is a Muslim atheist, having to hide huge chunks of her life from her family. Including her new, white, non-Muslim boyfriend, Simon. What could possibly go wrong?

Coconut is one of those plays where each person who watches it will take away or resonate with something different, for me it was the role religion plays in our lives.

Continue reading

Medea Electronica, Ovalhouse

by guest critic Maeve Campbell

Two months in, and already ‘gaslighting’ appears to be the word of the year. Both Trump and Weinstein, who are often cast as toxically masculine villains in the press, have been accused of implementing such misdirection and manipulation toward their female accusers.

Continue reading

Identity Crisis, Ovalhouse

https://i2.wp.com/thenubiantimes.com/wp-content/uploads/2016/07/Identity-crisis-image.png

Phina Oruche has had an extraordinary career. Growing up in Liverpool to Nigerian parents and desperately wanting to see more of the world, she let her best friend Amy talk her into doing a modelling photoshoot as a teenager. Soon she found herself living and working in London, then New York and LA. Eventually tiring of the high fashion world and feeling the pull of her home, she moved back to the UK where he career led her firmly into the film and telly world. Now a mum and conflicted about the cultural pushing and pulling on her life, she examines who she really is the self-penned Identity Crisis. The punchy tapestry of characters and experiences has messy and confusing moments and no clear resolution or story, but it’s brimming with heart and life.

Continue reading

Home, Ovalhouse

http://i2.wp.com/frozenlighttheatre.com/wp-content/uploads/2013/08/HOME-rehearsals-JMA-Photography-54.jpg

Scarlet and Olive were left behind when the evacuation transport left their town without them. A dust storm has rendered their home a foreign landscape. They have five days until the transport will return to collect any stragglers, and news is due over the radio at any time between now the then. The resourceful young women must work together to find water and build a shelter so they can survive until someone comes back to get them, and the audience of people with profound and multiple learning difficulties (PMLD) is there to help.

Continue reading