Toni and Madeline are happily settled in their North London home, but Madeline is missing something. From a young age, she has looked forward to being a mother. Now 32 and snuggly coupled, she thinks she’s running out of time to conceive. But as lesbians who can’t afford clinic fees, it’s not so easy. As her biological clock ticks, her desperation drives her to commit an appalling act of deception.
Rape culture is real. Victims are blamed, perpetrators are excused and conviction rates are low. Of reported rapes – estimated to be less than 20% – only 3% are deemed to be false accusations.
by guest critic Willa O’Brian
Deciding what is best is a tricky thing to do. It’s particularly difficult if you’re trying to do what is best for someone else. How do you know if you’re doing the right thing? Is your aim and end admirable but your means slightly suspect? It’s a constant balancing act and Punts attempts to tackle this fundamental question in myriad ways. Jack is twenty-five and has a learning disability so severe that he lives with his parents and needs constant supervision, or so his mother believes. But it’s difficult growing up under the wing of so protective a maternal eye.
Some questions for women:
Is it ok to want to be fucked?
Does wanting this oppose feminism?
Is it ok to want to be hit in bed? Will this man expect that from other women?
Is it ok to fantasise about being raped? What does this mean if I’ve been raped?
Louise Orwin is asking big questions about female sexuality and desire, but she doesn’t have the answers. There are no definitive answers anyway, just individual experiences. To make Oh Yes Oh No, she interviewed dozens of women around the country and found some disturbing patterns – about 90% of the women she met had been raped. Many of them developed rape fantasies. Women struggled to reconcile their feminism with wanting men to dominate them in bed.