Garry, White Bear Theatre

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by Laura Kressly

In the programme notes, director Graham Watts states, “there are hundreds of astonishing plays written by women that have never seen the light of day…Let me be clear. These are not ‘lost works’. They’ve never been considered and were simply ignored.” This world premiere by the writer of Machinal proves his point. Though several of Sophie Treadwell’s 39 plays were produced on Broadway, this one from 1954 – one of her last, and demonstrative of her skill and experience – has never before been produced.

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Play Two, Tristan Bates Theatre

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By an anonymous guest critic

As the audience enters the small studio space, we see a young man scribbling animatedly on a legal pad. Whether he’s mentally troubled or just in an intense creative state, we’re not sure. The mystery of this young man named Trevor (played by the play’s author Scott Howland) unravels over the course of the next hour in this new production directed by Harriet Taylor.

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Velvet, Vault Festival

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by Gregory Forrest

A red velvet chaise-lounge is a telling symbol. Positioned in the middle of the stage, the piece of furniture manages to evokes tacky luxury, softcore porn, and casting couch culture all at once. It is just one example of how smart Tom Ratcliffe’s one man show Velvet is.

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Fabric, Soho Theatre

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by Laura Kressly

Leah loves life. She works in a Saville Row shop and shares a flat with her best mate. It gets even better when she meets Ben Cavendish, a new customer at work, and things starts turning into a real-life fairytale. But real life isn’t a fairytale – awful things happen and endings aren’t always happily ever after.

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dominion, RADA Festival

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by Laura Kressly

What is ‘romantic’? A candlelit dinner and a bottle of good wine? Or being tied up, gagged and whipped?

To the young couple in dominion, the latter holds the most appeal. But S wants a bit more of the first, and D wants to keep pushing the limits of the second. The men’s love, though genuine, provides a nuanced look at S&M, consent and consequences in this new play by Greg Forrest.

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