Edward II, Shakespeare’s Globe

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by Laura Kressly

Though King Edward II’s sexuality and the history surrounding his death are disputed by historians, Nick Bagnall takes a definitive stance in Marlowe’s history play. Here, the king is unquestionably gay and unashamed of his love for Piers Gaveston, one of his courtiers. It’s this unwavering love and devotion that gives ammunition to his enemies – a group of powerful barons, Scottish and French rulers, and even his wife – causing his violent and tragic downfall.

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People Like Us, Union Theatre

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by Amy Toledano

When the results of the referendum came through in 2016, a big percentage of Londoners were shocked. Many people who had grown up here and made the UK their home suddenly felt unwelcome, and those feelings have only grown in the years since the announcement of Brexit.

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dominion, RADA Festival

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by Laura Kressly

What is ‘romantic’? A candlelit dinner and a bottle of good wine? Or being tied up, gagged and whipped?

To the young couple in dominion, the latter holds the most appeal. But S wants a bit more of the first, and D wants to keep pushing the limits of the second. The men’s love, though genuine, provides a nuanced look at S&M, consent and consequences in this new play by Greg Forrest.

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War Plays, Tristan Bates Theatre

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by an anonymous guest critic

Kali Theatre, a company dedicated to providing exciting opportunities for female theatre directors and leading roles for South Asian actors, have produced a series of readings inspired by women’s experiences in conflict zones. This is a beautiful evening of moving and poignant works-in-progress depicting the atrocity of war crimes and the ongoing realities of their victims’ lives.

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