The Abode, Edinburgh Festival Fringe

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By Laura Kressly

Imagine the world without the technological advances of the last few decades. No mobile phones, no internet, no ipods. Just Walkmans and two-way radios and clunky TV sets – but the political landscape is still the same. Where will all the incels gather without reddit?

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Bury the Hatchet, Hope Theatre

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by Amy Toledano

Despite the incredibly hot conditions at The Hope Theatre during the heatwave, the cast of Bury The Hatchet manage to create a highly energised and engaging piece recounting and investigating the story of supposed axe murderer Lizzie Borden.

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Cafe Society Swing, Theatre Royal Stratford East

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by an anonymous guest critic

An evening of spectacular performances depict the true story of New York’s first jazz club, Cafe Society, run by immigrants and allowed black and white audiences to integrate. The club’s audiences watched the most talented performers of their time, including Billie Holiday, who gave her first performance of harrowingly beautiful lynching song ‘Strange Fruit’ there.

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Blueberry Toast, Soho Theatre

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by an anonymous guest critic

We open on a stereotypical, modern American kitchen where wife Barb (Gala Gordon) is busying herself. When her husband Walt (Gareth David-Lloyd) comes down for breakfast, she attempts to make him something extra special: blueberry toast. Walt refuses the dish, insisting that he never asked for it and that what he really wanted was blueberry pancakes.

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Devil With the Blue Dress, Bunker Theatre

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by guest critic Amy Toledano

The political climate of 1990’s America may be something the world has largely forgotten, but playwright Kevin Armento certainly has no issue in reminding us of one of the country’s most memorable sex scandals. In his audacious new play Devil With The Blue Dress, Armento examines five women’s accounts leading up to – and resulting in – President Clinton’s impeachment in 1998. From the moment you set foot in the Bunker, you cannot help but be transported into what feels like the smoky underworld of dirty politics. This sensation can only be helped by saxophonist, and lone instrumentalist of the show, Tashomi Balfour, who underscores the entire piece with his smooth and often haunting melodies.

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