by Laura Kressly
In the programme notes, director Graham Watts states, “there are hundreds of astonishing plays written by women that have never seen the light of day…Let me be clear. These are not ‘lost works’. They’ve never been considered and were simply ignored.” This world premiere by the writer of Machinal proves his point. Though several of Sophie Treadwell’s 39 plays were produced on Broadway, this one from 1954 – one of her last, and demonstrative of her skill and experience – has never before been produced.
by Romy Foster
Nicôle Lecky’s play is an 85-minute, one-woman emotional tornado. She rip-roars across the stage as Sasha Clayton, a typical hell-raising London girl who is 24 and feels like she’s going nowhere with her life. (Hello, did someone say relatable?) Sasha is an aspiring musician who finds herself at a loss and becomes homeless when her ‘perfect’ family kick her out and move to Kent. It’s at this point that she beings to slip into the seemingly enticing world of sex work and the luxuries that come with it.
By Laura Kressly
Tyler had been living a life familiar to many new Londoners – frustratedly waiting tables whilst hoping for excitement and success that would make his mum proud. Then, a night out in Soho inspired him to give up one kind of service for another, and he’s now loving his work as an escort. The men, the money and the sex make an equation that’s irresistible and thrilling, but not without risk.