Strange Fruit, Bush Theatre

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by Maeve Ryan

In this powerful revival of Caryl Phillip’s Commonwealth Writers’ Prize-winning play, themes of inter-generational conflict, racism, machismo and cultural disconnection collide in a way that feels disturbingly current.

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Angry Alan, Soho Theatre

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by Laura Kressly

Roger’s an average guy down on his luck, living with his girlfriend after being made redundant and wishing he could see his son more. Still bitter about his divorce and losing his job, he passes time wondering aimlessly around the internet. When he emerges from a youtube rabbit hole that led him to the user Angry Alan, Roger feels like he’s woken from a long sleep. The Men’s Rights Movement has gained another disciple.

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A Doll’s House, Progress Theatre

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by Louis Train

A Doll’s House is a popular choice among high school English and drama teachers, who are as likely as not to be masochists: it is a long, dense play filled with subtext, the kind of poignant morsels that students are expected to pick out and examine, as if on their hands and knees groping through the muck of the text for an essay topic.

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Waitress, Adelphi Theatre

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by Laura Kressly

Butter, sugar, flour – these pie crust ingredients form a comforting motif that gets Jenna through each day. There are her solace every morning as she bakes her insecurities, worries and feelings into pies that are served in a small-town American diner. The young waitress is full of hopes and dreams but her story, like the script that contains it, has another ingredient so thoroughly embedded in the narrative that it leaves such a nasty aftertaste that it overpowers everything else.

CW: abuse, abortion, assault

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Anomaly, Old Red Lion Theatre

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By Laura Kressly

Even the most powerful of men can fall when society finally decides their actions are no longer excusable. Unfortunately, women have their lives ruined before these men get what they deserve, and the women closest to them have to clean up the mess. Because the patriarchy is so deeply ingrained, women may even be complicit in the abuse that men perpetuate.

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Fabric, Soho Theatre

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by Laura Kressly

Leah loves life. She works in a Saville Row shop and shares a flat with her best mate. It gets even better when she meets Ben Cavendish, a new customer at work, and things starts turning into a real-life fairytale. But real life isn’t a fairytale – awful things happen and endings aren’t always happily ever after.

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