Plastic, Old Red Lion Theatre

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by guest critic Joanna Trainor

“Think Columbine, think Virgina Tech, think Sandy Hook.”

Teenage Ben repeats this again and again in order to calm his nerves when he’s being mercilessly mocked by the football team. Less than two months after the Parkland shootings these words don’t sit right. In Ben’s mouth they sound blasé, and they’re not.

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Foreign Body, VAULT Festival

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by guest critic Alex Dowding

Sexual assault: It’s sadly been around since the dawn of time, and despite being in focus more than ever now since the #MeToo movement took off on social media, it may not ever go away. Here Imogen Butler-Cole alongside the charity He For She aims to de-stigmatise the dialogue surrounding it with a movement-heavy solo piece.

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Jane Doe and The Shape of the Pain, Edinburgh Festival Fringe

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Though the fringe is still often gloriously lo-tech, more shows and venues are embracing and exploring the role technology can play in live performance. New Zealand-based Zanetti Productions’ Jane Doe and China Plate’s The Shape of the Pain are powerful, challenging productions that use tech in different ways from each other, but it is essential to both and enhances the productions’ impact.

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