Feature | A Day with Oily Cart

Jovana Backovic, Robyn Steward, Mark Foster, Aaron Diaz, Griff Fender, Daniel Gouly in JAMBOREE. Design by Flavio Graff Photo credit Suzi Corker

by Laura Kressly

“Welcome to the glitter zone!”

I’m greeted exuberantly by one of the actors, who are mid-yoga warmup when I arrive. Though I try my best to quietly enter their rehearsal space, I’m flustered by a series of train and tube delays that mean I arrived nearly half an hour after I intended and it’s impossible for me to not be noticed. I self-consciously wave, smile, and settle into the chair that’s closest to the door. There are musical instruments, costume, sound equipment and lots of ‘stuff’ everywhere in their Tooting rehearsal room overlook a school’s playground. And indeed, glitter.

Continue reading

A Rundown of the Roundabout: Six Shows in the Paines Plough Programme, Edinburgh Festival Fringe

Image result for paines plough roundabout

by Laura Kressly

The Paines Plough Roundabout is the most reliable, new writing venues at the fringe. With a collection of work that represents the width and breadth of the UK both geographically and thematically, this year’s offerings are universally strong. From a family musical to a one-man show about a stalker, and everything in between, there is a great selection of shows for audiences looking for new work in a great venue that tours around Britain.

Continue reading

J’ouvert, Theatre503

32505A0C-FD3B-48A2-86DA-88FE24A1E87B

By Laura Kressly

Over the August bank holiday weekend, people of West Indian heritage have been celebrating their history and culture in the face of racial oppression since the 1960s. Bright colours, elaborate costumes, loud music, dancing, and lashings of rum mark the Carnival that’s now one of the largest in the world. In her female-led, debut play taking place over a day at Notting Hill Carnival, Yasmin Joseph pays homage to the people, young and old, that make up the event’s vibrant landscape and give it its soul.

Continue reading

Richard III, Alexandra Palace

Image result for richard III alexandra palace theatre

by Louis Train

There’s an annoying trend among artists to draw explicit parallels between historical texts and the present day, tossing around words like ‘prescient’ and ‘timely’, and finding hints of Brexit in Arthur Miller plays like religious fanatics spotting the face of Jesus on toast. That’s not to say, however, that we can’t find broad reflections of our world in old stories: people are still people, just as interesting, lovely, and ugly as they ever have been.

Continue reading

The Reluctant Fundamentalist, Edinburgh Festival Fringe

Image result for the reluctant fundamentalist, national

by Laura Kressly

Changez and an American tourist sit in a cafe having a cup of tea at the best cafe in Lahore. As they wait for their drinks, Changez narrates the story of his life in America as an Economics student at Princeton University and an analyst at one of the top consultancies in New York City. As a young man, he had the world at his feet. His world is very different now.

Continue reading

Our Country’s Good, Theatre Royal Stratford East

DD360B99-902B-40D6-BB9E-D036136DBB1D

by an anonymous guest critic

Ramps to the Moon’s Our Country’s Good delivers a production that seamlessly integrates actors with and without disabilities to produce excellent all round performances. Originally written by Timberlake Wertenbaker in 1988, it tells the extraordinary true story of a group of convicts in Australia, who in 1797 with the help of an officer, rehearse and perform a play despite the odds being stacked against them due to strong opposition from the other officers at the settlement.

Continue reading

The Drill, Battersea Arts Centre

https://s3.amazonaws.com/wos-photos-production/122601.jpg

by Laura Kressly

‘See it. Say it. Sorted.’

Every Londoner knows this slogan from the British Transport Police encouraging us to be vigilant as we go about our days. Be alert, and if you see something suspicious, report it.

Continue reading