Sex Education, Edinburgh Festival Fringe

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by Meredith Jones Russell

A mixture of confessional monologues, recorded interviews, dance, music, and a hefty smattering of hardcore porn, Harry Clayton-Wright’s deliberately shocking, no-holds-barred, one-man show attempts to address how we learn about sex and how that education informs our wants, needs and desires for the rest of our lives.

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Crocodile Fever, Edinburgh Festival Fringe

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by Meredith Jones Russell

Crocodile Fever is a shocking, staggering, darkly hilarious play which comes into its own in its second, bizarre half.

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Justice, Blue Elephant Theatre

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by Laura Kressly

Michael and his best mate Charlie are typical teenage boys – they just want to hang out and play Fifa and party. Michael’s patient girlfriend Liv is often at their side, his mum is there to fret and nag, and his half-brother Josh reliably winds him up. They’re 17 and life is good – until it isn’t.

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CLASS, Bush Theatre

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by an anonymous guest critic

CLASS, a play from Ireland co-written and directed by Iseult Golden and David Horan, is set around a teacher-parent meeting in a Dublin primary school. The teacher, Mr McAfferty (Will O’Connell), is a seemingly conscientious man who takes his job seriously. He invites the parents of one of his students, nine-year-old Jayden, to discuss his literacy learning difficulties.

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3 Billion Seconds, Vault Festival

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by Laura Kressly

The average baby born in Britain today will live for three billion seconds. They will be responsible for contributing approximately 58.6 tonnes of carbon to the environment. As such, climate scientists widely agree that not having children at all or having one less child than originally planned will have a significant effect on pollution levels. Climate change activists Daisy and Michael know this, and advocate for reducing the population in their environmentalism talks they give around the country – but what happens when they fall pregnant?

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Equus, Theatre Royal Stratford East

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by Laura Kressly

Sex and power rule the world – or at least they do in the 1970s, little England hospital where Peter Shaffer’s play unfolds. A child psychologist, known for his successful rehabilitation of troubled children, is questioning the value and morals of his work. At the same time, he reluctantly takes on a new patient, a young man who inexplicably committed a horrific crime that has rocked the local community. As the pair spar their way through the lad’s therapy sessions, both reveal secrets they are ashamed to keep.

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