Does My Bomb Look Big in This?, Soho Theatre

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by Laura Kressly

Aisha and Morgan have to go to school one day in August, like almost every other 16-year-old in the country, to collect their GCSE results. Their school is different from the rest of the country’s though – news teams are at the gates of Mitcham High reporting on the recent disappearance of Yasmin Sheikh, dubbed ‘terror baby’ by the Home Secretary. Frustrated with her best friend’s depiction in the media and the way she has been treated by the police after Yasmin left for Syria, Aisha is determined to tell the story of the girl behind the headlines and enlists Morgan’s help.

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Come From Away, Phoenix Theatre

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by Amy Toledano

The community of Gander, Newfoundland in Canada, a tiny town with a population of 10,000, were the last people to expect their airport full of planes of stranded passengers on the day of the 9/11 events. However, this is exactly what happened, and as the delightful new musical Come From Away reveals, the townspeople rallied together and did their best to provide comfort to those grounded during the tragedy.

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Salaam, Vault Festival

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by Laura Kressly

Rema and her mum are at home in East London during Ramadan, preparing to break the day’s fast, when their living room window shatters. Another day, another hate crime – but this event is the catalyst for a holiday full of new friends, new understanding, new creative expression and new betrayals.

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The Reluctant Fundamentalist, Edinburgh Festival Fringe

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by Laura Kressly

Changez and an American tourist sit in a cafe having a cup of tea at the best cafe in Lahore. As they wait for their drinks, Changez narrates the story of his life in America as an Economics student at Princeton University and an analyst at one of the top consultancies in New York City. As a young man, he had the world at his feet. His world is very different now.

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BU21, Trafalgar Studios

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by guest critic Archie Whyld

The premise of an airliner exploding over Fulham after being hit with a Russian man-portable infrared surface-to- air missile, or as intense Londoner, Graham, who was caught up in the aftermath puts it, ‘it looks you know, like a bazooka…’, in a terrorist attack is extremely compelling. Compelling, because it could happen.

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