Every Word Was Once an Animal, Edinburgh Festival Fringe

by Laura Kressly

Belgian company Ontroerend Goed are fringe regulars who reliably provide innovative, provocative work that makes a refreshing change from British theatre and performance paradigms. This show is no exception. Layers of metatheatricality, direct address and a spirit of playfulness are used to consider how a performance is made, the truth and lies in storytelling, and language as a vehicle for meaning. Tight dramaturgy and constant surprise result in a consistently compelling production.

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Feature | Favourite Theatre Moments of 2019

Image result for my favourite things julie andrews

by Laura Kressly

Determining a Top 10 has become increasingly troublesome what with the amount of work reviewed by guest critics and the even larger amount that we get invited to but aren’t able to see. So, rather than a more traditional ‘best-of’ list, here’s a totally subjective list of a few of my favourite things – in no particular order – from theatre and performance in 2019.

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Flies, Edinburgh Festival Fringe

Image result for flies

by Laura Kressly

Theatre doesn’t need another all-white, all-male absurdist production ridiculing vulnerable people. Whilst fun in its staging and innovative in its storytelling, Flies lazily exploits cishet, male power dynamics in a Kafka-esque nightmare for fly-phobic Dennis whilst exploiting systemic, patriarchal structures to make him even more of a victim.

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