A herd of Zoo shows, Edinburgh Festival Fringe

by Laura Kressly

Over the last few years, Zoo has been quietly building its reputation as a venue, breaking the stranglehold that the Big Four and Summerhall have on high-quality work. With a loose focus on physical theatre and performance, they boast a programme varied in style, but also in quality.

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The Tin Soldier, Festival Theatre Edinburgh

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by guest critic Liam Rees

Birds of Paradise Theatre Company’s The Tin Soldier is a charming and inclusive alternative to the traditional pantomime. As a company specialising in making work with disabled people, it makes sense for the company to have chosen to adapt Hans Christian Andersen’s story as it’s one of the few children’s stories to feature a disabled protagonist.

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The Tin Drum, Shoreditch Town Hall

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Oskar is a child of myth and legend. Or maybe he’s just bad-tempered and noisy. Either way, he comes into a fictional world of darkening shadows that’s clearly pre-WWII Europe. Born with a fully adult brain, he looks down on most people around him but has simple, childish request – that his mother buys him a tin drum.

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Laika, Unicorn Theatre

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Sami and his mum are preparing for her to go to Mars for years and years and years. Both obsessed with space, Sami’s proud of her but worried that he might never see her again. To help him come to terms with her imminent departure, mum buys him a book about Laika, the first dog to go to space.

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The Magic Flute, King’s Head Theatre

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by guest critic Alistair Wilkinson

The King’s Head Theatre has been turned into a South American jungle, and we are invited to go along with the intrigued explorer Tamino, as he embarks on his journey to discover a world full of magical beings. In this world, and actually this performance too, nothing is what is expected.

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Celebration, Florida, The Albany

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by guest critic Tom Brocklehurst

Shows incorporating technology have become more and more common recently. This experimental show, Celebration, Florida, features two unrehearsed performers wearing headphones. Greg Wohead, the creator of the show gives them instructions, dictates to them what to say and where to stand, and what accent to speak in. Most of the time they are speaking as him – they have to imitate his American accent (badly) and ask us to picture them as him, standing in his hotel room in his pants, thinking up ideas for this show.

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Blood & Bone, VAULT Festival

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By guest critic Alistair Wilkinson (@alistairwilks)

A political satire, blended with sexualised humour, with a sprinkle of fertiliser-addicted plants that just want to have fun with their mates – what more could you ask for on a Wednesday night? The overriding rule of their way of life – do not leave the greenhouse. If you do, be prepared to fall prey to being a part of a hipster vegan’s Instagram post.

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