Skin Tight, Hope Theatre

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A couple wrestle each other with all the affection and aggression that only a couple who have been together for a long time can. It’s tender, brutal, unrestrained and familiar. They each know exactly what the other will do next, and how to wind them up. But it will soon end, as one of them has to leave soon.

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Turkey, Hope Theatre

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Toni and Madeline are happily settled in their North London home, but Madeline is missing something. From a young age, she has looked forward to being a mother. Now 32 and snuggly coupled, she thinks she’s running out of time to conceive. But as lesbians who can’t afford clinic fees, it’s not so easy. As her biological clock ticks, her desperation drives her to commit an appalling act of deception.

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Odd Man Out, Hope Theatre

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A middle-aged, gay Welshman contemplates the English class he teaches in Hong Kong. Amongst the students is Windy, the Chinese woman with whom he shares his bed. Utterly smitten with her, he refers to her as his Pocahontas. He then kisses a barbie doll with long black hair and tanned skin.

Pocahontas was a Native American woman kidnapped by the colonising English in the 1600s, forced to marry, then taken to Britain. The same woman bore her husband a child then died, aged 21, after contracting a European illness.

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I Know You of Old, Hope Theatre

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Hero’s coffin lies in a candlelit chapel of rest, draped in lace, overlooked by a portrait of the virgin Mary. Her cousin Beatrice and her lover Claudio quietly mourn the young woman, but their friend Benedick disrupts their grief. The characters are from Much Ado About Nothing of course, but this is not Much Ado About Nothing. David Fairs rips apart Shakespeare’s script to create a totally new story with Shakespeare’s verse and characters, I Know You of Old.

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Mouths In a Glass, Hope Theatre

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by guest critic Alistair Wilkinson

Having never been to The Hope Theatre before, I am impressed by the intimacy of being in a space that only seated fifty audience members at a time. It’s a shame that Mouths In A Glass has a small crowd, resulting in a shortage of energy.

Perhaps it is this that leads to a lacklustre performance on stage, resulting in a rather basic delivery. The narrative doesn’t flow and the majority of the comedy falls flat. There are occasional laughs in the audience, however they seemed to come from family and friends.

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The Wild Party, Hope Theatre

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By guest reviewer Martin Pettitt

The Wild Party, a simple and to-the-point title, perfectly describes the show as well as the evening I experienced. There was so much to like about this performance. Adapted into a performance piece here by Mingled Yarn Theatre Company, The Wild Party was originally a book-length narrative poem by Joseph Moncure March in the roaring twenties. Initially deemed too racy to publish, it has since become a seminal work finding ever more relevance as we venture further into the 2000s.

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