River in the Sky, Hope Theatre

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By Laura Kressly

Waves quietly break along the beach outside a remote holiday home. A woman drinks Earl Gray, eats biscuits and mourns her infant son. Her husband checks on her regularly, but within the icy sea of debilitating grief, they’ve lost the ability to communicate other than through fantastical stories of mythical creatures. Time all but stops in this sparsely-written series of snapshots depicting a couple trying their best to piece their lives together after a tragedy.

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Gilded Butterflies, Hope Theatre

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by Amy Toledano

There have been several different mediums focusing on the story of the female prisoner, especially from the US and Gilded Butterflies, while following this same theme, pays particular attention to the prisoner herself. It gives her story a voice and allows for a deeper understanding of her perspective. This two-hander is a lovely exploration of not believing everything you hear.

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The Dog/The Cat, Hope Theatre

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by Laura Kressly

Dividing up shared belongings after a breakup is awful, but custody battles are even worse – even if they are over a pet. With emotions running high, fallouts are inevitable when it comes to who gets to keep Fluffy or Fido. These two, one-act plays explore relationship dynamics through a filter of pet ownership, though both struggle to translate big ideas into coherent storytelling.

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Worth a Flutter, Hope Theatre

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by an anonymous guest critic

Worth A Flutter written by Michael Head and directed by Jonathan Carr is a simple story of love and its complications that sadly misses the mark. Set in a greasy spoon in Southwark, we see a week in the life of two men and how their affections for one woman changed them forever. While the energy and commitment from all the actors is high, the piece lacks the depth it is trying to convey. Instead, it spends most of its time on odd, offensive and tasteless humour.

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Foul Pages, Hope Theatre

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by Laura Kressly

1603. Queen Elizabeth is dead, and James I is in power. Sir Walter Raleigh is imprisoned in the Tower for conspiring against the new king. His lover Mary pines for him in her stately home in Wiltshire, so she and her handmaid plot to secure the king’s favour by putting on a new play just for him, by Shakespeare’s company of players.

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Skin Tight, Hope Theatre

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A couple wrestle each other with all the affection and aggression that only a couple who have been together for a long time can. It’s tender, brutal, unrestrained and familiar. They each know exactly what the other will do next, and how to wind them up. But it will soon end, as one of them has to leave soon.

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