Playing Latinx, Camden People’s Theatre

by Laura Kressly

Guido Garcia Lueches is an actor from Uruguay who lives and works in the UK, which means that xenophobia and racism shape his day-to-day life. When he’s not attending auditions where he is asked to embody Latinx stereotypes, he regularly endures microaggressions from British people. This constant stereotyping is so unrelenting that he’s made a satirical, interactive show about the importance of fitting in as a migrant.

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Tokyo Rose, Curve Leicester

Curve Theatre / Tokyo Rose

by Olivia Rose Deane

Burnt Lemon have taken their acclaimed 2019 Edinburgh Fringe hit Tokyo Rose on the road with a retooled cast, score and book and a good deal of anticipation. The bones of this new version of the show remain the same, telling the story of Iva Toguri, a Japanese-American radio journalist wrongly convicted of treason in 1945. As in the original, themes include xenophobia, cultural identity, and scapegoating, all with a six-strong female cast. The show opens with the high-energy and undeniably catchy “Hello America” – attention well and truly grabbed. Unfortunately, the number also represents the pinnacle of what is otherwise a flat, one-note production. The book (by Baldwin and Yoon) is generally good, retaining some of the smart, self-referential moxie that made the show charming in 2019, but is let down by the weakness of the score.

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