War with the Newts, Bunker Theatre

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by Laura Kressly

In post-Brexit Britain, the oyster industry struggles. Work is hard and profits are low. But when oyster harvester Captain von Toch sees mysterious images on the ship’s sonar and discovers a new creature that can quickly be taught fine motor skills, he revitalises his business and changes the course of the human race’s destiny.

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The Art of Gaman, Theatre503

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by Laura Kressly

Tomomi stands on the prow of a ship with arms flung open, ready to embrace a new life as a Hollywood actress. There’s something of Kate Winslet in Titanic about her unfaltering determination and hope – and that seminal pose, of course. When an older man disturbs her quiet reflection on the fish feeding below the water’s surface and her need for acting compared to their need for water, her destiny is forever altered.

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Chicago, Phoenix Theatre

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by Lara Alier

Enter a club, where the dim lights make it hard to know if it’s you dancing, or you’re just touching someone else’s limbs. Behind the bar there’s a tall man, with broad shoulders and strong arms, his black beard defining a perfect jaw. He doesn’t ask because he knows exactly what you need. That cocktail is Chicago.

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Pinter One and Pinter Two, Harold Pinter Theatre

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by Gregory Forrest

A whole day of Pinter. “Christ,” my landlord said, “I couldn’t think of anything worse.”

Jamie Lloyd is embarking on an epic project: to stage every single one of the influential
playwright Harold Pinter’s short plays over a six month period, at the theatre which bears his name. Pinter at the Pinter. Pretty neat huh?

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A Kettle of Fish, Yard Theatre

by Helen Murray

By Laura Kressly

Lisa is on a work trip with two colleagues. Things at home are a bit stressful and she normally isn’t included at this level of project management, but she’s fine. Not long into the flight, an attendant asks to have a word with her at the front of the plane. The devastating news she receives sets off a chain reaction of grief, anger and meltdowns. As Lisa tries to hold it together in front of the other passengers, reality slips from her grasp. 

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Poet in da Corner, Royal Court

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by Laura Kressly

At the start of the millennium, Deborah is a teenager living on the edge of East London with her silent father and zealous Mormon mother. She feels suffocated by religion when she starts secondary school. But as she gets stuck into this new world, she meets Vyper and discovers Dizzee Rascal. Once her mind and her talent are unlocked by these two forces, her life is irrevocably changed for better and worse.

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Fagin’s Twist, The Place

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By Laura Kressly

Charles Dickens’ story of the orphan boy who nicely asked for more dinner in an orphanage before training to become a pickpocket is here refocused on the older ringleader of Victorian London’s underworld, Fagin. In the musical and film, little is shared of Fagin’s backstory.  But it is the beginning of this contemporary dance piece in two acts.

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Adam, Battersea Arts Centre

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By Laura Kressly

Adam Kashmiry is a man that was born in Egypt in a woman’s body. From a young age, he knew his soul didn’t align with the gender he was assigned at birth, but it wasn’t until he discovered the internet as a teenager that he found a word for this.

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Arabian Nights, Hoxton Hall

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by Lara Alier

If you close your eyes and I mention ‘Arabian Nights’, what can you see? How does it feel, sound and smell? The description of Hoxton Hall will probably match what you imagine. Strong incense blends with warm lights and the sound of a little fountain adds ambience to the big Arabic arches.

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