by Amy Toledano
It’s the early 1930’s and, “Julian Marsh is puttin’ on a show!”. Pretty Lady is the latest production from the famous director, and all of the local, out-of-work actors are thrilled to have jobs again. But show business is never easy, and this one in particular is no stranger to the trials and tribulations that come with rehearsing a smash hit.
by guest critic Gregory Forrest
A new Alan Bennett play is an event. And hospitals – the epicentres of birth and death – are eventful places. Allelujah! is a match made in heaven then.
by Laura Kressly
Last summer, New York’s Shakespeare in the Park made international news with its production of Julius Caesar, updated to contemporary America with Caesar looking rather suspiciously like Trump. When the right wing press got wind of it, protests outside the theatre ensued.
Fortunately, this is much less likely at Nick Hytner’s similarly Trumpified Caesar. Unfortunately, his look at the devision between the ignorant, poor right and educated, middle class left is a simplistic and occasionally wildly inaccurate comparison to real life partisan policies.