The Brief Life and Mysterious Death of Boris III, King of Bulgaria: Part The First, VAULT Festival

26DFA1BA-6D55-46D5-A0C6-7D1B9238A177

By Zahid Fayyaz

Here’s a slice of history from Out of the Forest Theatre, set during World War Two. It follows the story of King Boris the Third, who allied with Nazi Germany for geopolitical reasons, but wanted to keep Bulgaria out of the fighting and his Jewish citizens safe as much as possible. This story is told with the use of dramatic recreations of what we are told are true events, with Bulgarian Folk tunes peppered throughout the performance.

Continue reading

Over My Dad’s Body, VAULT Festival

Vault_Festival.jpg

by Isabel Becker

What starts off as a razzle-dazzle cabaret musical, full of mockery of his ever-so-gay charm, darling, and name-in-lights showbiz dreams, Simon David’s play soon becomes a deeply personal meditation on life, death and art, often jutting between extremes before we even know it.

Continue reading

The Show in Which Hopefully Nothing Happens, Unicorn Theatre

6A1479BE-657E-4594-8658-FF48CD9D79E3

By Laura Kressly

For a show in which hopefully nothing happens, there are plenty of weird and wonderful things that unfold, of course. Because a children’s show – or one for adults for that matter – would be incredibly dull indeed if nothing happened, but that’s absolutely not a worry here. 

Continue reading

Paper Cinema’s Macbeth, Battersea Arts Centre

5211003A-1235-4B66-800B-1D34E060C437

By Laura Kressly

I’m a sucker for inventive adaptations of Shakespeare plays, so Paper Cinema’s Macbeth, a live-action, silent movie version, is hugely appealing. For 90 minutes a team of five use handheld cameras, desk lamps and hand-drawn illustrations to broadcast the story in visual form onto a large screen. Accompanied by a Celtic-inspired, cinematic score, this graphic novel/stop motion/object manipulation telling is enchanting – until I ask my companion, a Dutch woman who doesn’t know Macbeth, what she thought. 

Continue reading

A Kettle of Fish, Yard Theatre

by Helen Murray

By Laura Kressly

Lisa is on a work trip with two colleagues. Things at home are a bit stressful and she normally isn’t included at this level of project management, but she’s fine. Not long into the flight, an attendant asks to have a word with her at the front of the plane. The devastating news she receives sets off a chain reaction of grief, anger and meltdowns. As Lisa tries to hold it together in front of the other passengers, reality slips from her grasp. 

Continue reading

Othello, Shakespeare’s Globe

D01275A5-3C3A-4F8A-80B7-E88D9251F4F8

By Laura Kressly

Who knew one of Shakespeare’s greatest tragedies could be funny? Director and composer Claire van Kampen has tapped into a rare rhythm that sees Iago as a weaselly, clownish man lacking power and finesse, yet still manages to twist Othello into knots. Played by Mark Rylance, one of the finest actors of his generation, his performance is the strongest feature of this production.

Continue reading