By Laura Kressly
Chris Thorpe has a parasitic worm somewhere under his sternum that is as much a part of him as he is of it. It’s not something he used to really notice but since Brexit, he feels it deep within his chest. He’s now had enough of it and now would do anything to get it out of his body.
by guest critic Rebecca JS Nice
I took a punt with She-Wolves on a rainy day in Edinburgh at Greenside. A historian and feminist myself, a title like She-Wolves is right up my alley. As well as that, the rising status of gender history and a search for female heroines across the arts makes it a piece of its time.
Canada has been taking over over a church behind Summerhall for the last several years with a varied programme showcasing performance from across the country. This year has a distinctly socio-political bent, with controversial Daughter heading the bill.
by Laura Kressly
James Rowland’s trilogy about his best mates Tom and Sarah began with Team Viking two years ago on the free fringe. A Hundred Different Words for Love followed, and the story now comes to a close with the funny and tragic process of growing up that begins with donating sperm to Sarah and her partner Emma.
by Laura Kressly
Lucy and her son Raedie have grown apart in recent years. Lucy is worried that her son lacks empathy, and Raedie thinks his mum is full of herself. Both of them love Aussie pop star Sia though, so they use her music, dance and physical theatre to explore their relationship and reconnect with each other in this real-life mother and son show.
By Laura Kressly
Alma Margaretha Maria Schindler was the wife of three famous artists and the lover of a fourth. A composer herself, her achievements are overshadowed by the men she loved. It’s the typical tragic narrative of talented women from the past, and this show unfortunately perpetuates it.
By Laura Kressly
There are guns everywhere in America. Real ones, and pictures of them, hidden and overtly displayed. This constant threat of violence gives the unnamed uni lecturer and mum in this monologue nightmares and anxiety attacks. She awaits the day when a male student takes issue with his grades, or the course content, or anything else that threatens his masculinity and barges into her office or classroom and guns her down.
By Laura Kressly
The #MeToo movement has proved that male-on-female abuse and assault is far reaching, both in and out of the arts. This year there about 30 shows at the fringe that respond to the movement, and often tell first-hand stories of assault and abuse.
by Laura Kressly
Shakespeare’s work is very much of his time and place, with his universality much more embedded in Western culture. Seeing a Korean company stake a claim on Macbeth and intersperse the story with its own cultural myths and legends is a potent reminder of the relevance of his stories and themes, and provides a unique filter for Western audiences to take in his work. There are plenty of issues with this physical theatre piece, but its use of the text as a starting point for a different story is a hugely refreshing take.
by Amy Toledano
Held holy by many musical theatre enthusiasts, Spring Awakening is about the turmoil and angst of growing up. The pain of self-discovery and the frustrations at growing up rapidly, and still being treated as a child by the adults around you, are one of its primary themes. And while The British Theatre Academy did their best to relay this to their audience, unfortunately they only remained at a surface level – it never really goes to the dark and vulnerable places that this show so desperately requires to make an impact.
The Play's The Thing UK 