Shackleton’s Carpenter, Jermyn Street Theatre

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by Laura Kressly

In 1914 Sir Earnest Shackleton set off to cross Antarctica via the South Pole, but the mission was cut short when one of the two ships froze in an ice floe that eventually crushed it. Miraculously, the men were able to seek help due to the ship’s carpenter repurposing the life boats to make them suitable for long journeys in turbulent water. That carpenter’s name was Harry McNish, and in his dying days on a New Zealand dock, he relives his memories of that voyage.

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Lobster, Edinburgh Festival Fringe

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by Laura Kressly

Modern dating for straight women is a horror show of dick pics, ghosting, casual sex, stealthing, quashed hopes and heartbreak. Yet Polly keeps at it, convinced she’ll eventually find her lobster – a baffling and tasty creature that will commit to her for life. Fragile and fresh out of a relationship with a guy she thought was the one, she enthusiastically dips her toe back into dating in this cheerful account of her hunt for The One.

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A Rundown of the Roundabout: Six Shows in the Paines Plough Programme, Edinburgh Festival Fringe

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by Laura Kressly

The Paines Plough Roundabout is the most reliable, new writing venues at the fringe. With a collection of work that represents the width and breadth of the UK both geographically and thematically, this year’s offerings are universally strong. From a family musical to a one-man show about a stalker, and everything in between, there is a great selection of shows for audiences looking for new work in a great venue that tours around Britain.

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The Canary and the Crow, Edinburgh Festival Fringe

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by Meredith Jones Russell

In this semi-autobiographical tale of a working-class Black kid who gets in to a prestigious grammar school, writer and performer Daniel Ward is an insanely likeable and undeniably talented focus. His character, Bird, draws us immediately into his story with warmth and charm, accompanied by original grime and hip-hop tunes.

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Pops, Edinburgh Festival Fringe

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by Laura Kressly

A young woman unceremoniously returns to her family home, where her dad watches cooking shows on repeat and listens to battered cassettes on a boom box that’s probably older than she is. She looks worn and fatigued, though promises she’ll only be there as long as it takes her to get back on her feet. He doesn’t really listen.

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Since U Been Gone, Edinburgh Festival Fringe

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by Laura Kressly

Teddy Lamb, Jordan and Dom met in college in the ‘00s and quickly became best mates. Now, Teddy’s the only one left and they miss their old pals so much. Teddy’s life has changed a lot since then and they have so much they want to tell their old friends, like how they’ve since come out as trans femme. So they made a love letter of a show to those they’ve lost.

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Art Heist, Edinburgh Festival Fringe

By Joanna Trainor

Poltergeist Theatre Company’s Alice Boyd could read you the yellow pages, and it would sound like the most magical book you’ve ever heard.

What is art? Who gets to decide that? Why is it so hard to draw a moustache on your own face? Poltergeist Theatre Company deal with all of life’s big questions in their follow up show to last year’s sell-out smash Lights Over Tesco Car Park. 

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