The End of Hope, Soho Theatre

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a co-production with the Orange Tree Theatre

You only find round beds with pink satin sheets in particular places or owned by particular people. But it’s safe to say that a woman wearing a full, fur-suited mouse costume complete with face/head mask is not one of these.

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Hir, Bush Theatre

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Issac is returning home after a three-year stint as a US marine where his job was to pick up body parts after front line attacks. He longs for the peace and quiet of his nuclear family and the familiarity of middle America so he can make peace with the demons of war. But on opening the door of the house he grew up in, he discovers a revolution has taken place on the home front. After a stroke turned his father into a near vegetable, his mother is avenging years of abuse. His sister Maxine has transitioned to Max. Both mom and Max have rejected social conventions and are living in an anarchic mess of laundry, dishes and socio-political soundbites.

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Snapshot, Hope Theatre

Brian Martin and Joey Akubeze in Snapshot at the Hope Theatre. Photo: Will Austin

James and Daniel are chalk and cheese, and very much in love. The unemployed photographer and Canary Wharf stockbroker are adorably domestic, but both are hiding secrets. When James’ uni mate and ex-girlfriend Olivia vengefully reveals one of them, this irrevocably opens the floodgates to the rest. Excellent performances give this domestic drama its punch. Whilst the script is far from groundbreaking, it’s an accurate reflection of human intentions and fallibility.

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