Digging Deep, Vault Festival

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by Laura Kressly

CW: suicide and self-harm

Mossy is only 22 but he’s tired of life. He can’t shake the feeling that there’s nothing more than this, so the best option is to call it a day and kill himself. His only concern is that his mum won’t be able to afford his funeral, so he convinces his reluctant mates to launch a fundraising campaign before he goes. Touching on toxic masculinity, male friendship, euthanasia and voyeuristic media consumption, this new script has some clumsy writing but the themes that propel the action forward to a surprising end smartly support the story of friendship.

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The Ex-Boyfriend Yard Sale, Camden People’s Theatre

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by Laura Kressly

I contemplate a ratty t-shirt displayed on a podium alongside several other seemingly random items. I’m asked to write down how much I would pay for it. Determining it’s not something I’d wear or have any other use for, I wrote £0 on a slip of paper that I slid into a box behind it.

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Losing My Mindfulness, Edinburgh Festival Fringe

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by Laura Kressly

Our company is restructuring and every one of us has to reapply for our jobs. Tensions are running high, but don’t worry! Our caring employers have asked one of the HR team to lead us in a Mindfulness workshop to help us cope. The thing is that this workshop leader’s life is falling apart as well, and the skeletons are tumbling out of her closet quicker than she can put them back in.

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The End of History, St Giles in the Field

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Paul (Chris Polick) is a London property developer. He’s a smooth talker and wears impeccably cut, expensive looking suits. He goes to exclusive chillouts where he takes pills and fucks men he doesn’t know. He’s waiting for the clinic to phone.

Wendy’s (Sarah Malin) an art therapist for a few different charities. She’s a liberal activist, and works with homeless people when budgets allow. She and her boyfriend Dave have just split up so moved out and has no where to go. With luggage in tow and work in the morning, she’s reached the end of the line.

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Trust, Gate Theatre

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by Laura Kressly

A couple who have been together for either 14 years or 3 weeks argues as the world around them threatens to collapse. Or maybe it’s collapsed already. An Uber driver writes a book about the fall of civilisation. A lonely woman in a hotel room surveys her destructive work in the financial sector.

Time passes and bends and flips. Personal and global crises unfold in an endless cycle of pain and rage.

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The End of Hope, Soho Theatre

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a co-production with the Orange Tree Theatre

You only find round beds with pink satin sheets in particular places or owned by particular people. But it’s safe to say that a woman wearing a full, fur-suited mouse costume complete with face/head mask is not one of these.

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Hir, Bush Theatre

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Issac is returning home after a three-year stint as a US marine where his job was to pick up body parts after front line attacks. He longs for the peace and quiet of his nuclear family and the familiarity of middle America so he can make peace with the demons of war. But on opening the door of the house he grew up in, he discovers a revolution has taken place on the home front. After a stroke turned his father into a near vegetable, his mother is avenging years of abuse. His sister Maxine has transitioned to Max. Both mom and Max have rejected social conventions and are living in an anarchic mess of laundry, dishes and socio-political soundbites.

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