Sex Education, Edinburgh Festival Fringe

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by Meredith Jones Russell

A mixture of confessional monologues, recorded interviews, dance, music, and a hefty smattering of hardcore porn, Harry Clayton-Wright’s deliberately shocking, no-holds-barred, one-man show attempts to address how we learn about sex and how that education informs our wants, needs and desires for the rest of our lives.

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10 Things I Hate About Taming of the Shrew, Greenwich Theatre

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by Meredith Jones Russell

“When men insist on telling women’s stories for them, not only do they miss the point of telling a story, but they tell it wrong too.”

Armed with a glitzy jacket, a notebook and a whole lot of anger, Gillian English uses William Shakespeare’s Taming of the Shrew and it’s 1999 teen adaption 10 Things I Hate About You to explore gender roles in traditional and modern art and how they shape us as a society.

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Love Letters from Blackpool & My Kind of Michael, Edinburgh Festival Fringe

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by guest critic Rebecca JS Nice

Four years ago, Ruth Cockburn pulled me off the street from the misery of the rain and the festival blues and into the bottom of a tapas restaurant. Cockburn was glowing amidst the bright yellow and blues of the slightly odd venue typical of the fringe festival and she manged to charm an audience more intent on sheltering from the rain than anything else. She became one of my magical fringe finds who touch your heart by chance.

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