Blackout, Edinburgh Festival Fringe

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by Laura Kressly

Pissing from tall buildings, pulling strangers, waking up somewhere you don’t remember – these are the hallmarks of an absolutely banging night out for some people. But when outrageous behaviour at the weekends starts creeping into the week, then every day, this is a problem.

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Fox Hunting, Courtyard Theatre

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by guest critic Amy Toledano

A fox runs into the road and forces the driver coming towards it to swerve and almost crash. Is it the fox’s fault if the person dies, or does it matter if the driver runs the fox over to save themselves? Which life is worth more? And if you grow up in South London should you be punished for carrying a knife to protect yourself? Or if you stab someone as self-defense is it still a crime? This complex and delicate issue is handled beautifully in David Alade’s Fox Hunting.

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Why Is the Sky Blue?, Southwark Playhouse

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by guest critic Amy Toledano

Why is the sky blue? What is there to do in Argentina? Why is the sea green? How regularly are young people in the UK and around the world watching pornography? And –  more importantly – what affect is it having on their sexual and mental development? These are just some of the questions raised in Abbey Wright’s brand new Why is the Sky Blue?

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The Listening Room, Stratford East

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Can violent criminals be rehabilitated, and can their victims ever forgive them? The Listening Room says yes.

This verbatim piece tells the stories of three violent crimes, primarily from the perspective of the perpetrators. Some character background sets the scene for climactic moments where they commit their offences, but at least half of each of the five characters’ stories spotlights the rehabilitation process and mediation between the assailants and their victims.

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My Country; a work in progress, Theatre Royal Stratford East

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After 52% of 72% of the British voting population voted to leave the EU, Rufus Norris’s concern that London theatre was out of touch with the majority of British people drove him to launch a nationwide project of listening. He sent a team of ‘gatherers’ to all corners of these sceptered isles, and they collected 70 interviews from people up and down the country. The transcriptions combined with text by Carol Ann Duffy gave birth to My Country; a work in progress.

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A Year From Now, VAULT Festival

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by guest critic Jo Trainor

“Two or three people with guitars call themselves a band, they’re a group!”

Red Belly Black Theatre Company asked fourteen people where they think they’ll be a year from now, and have used their voices to create an hour of witty, beautiful and moving theatre.

Lip-synced verbatim is a new experience for this reviewer, and if you’re not used to it there is a brief moment where you need to get on board with the style. Luckily Red Belly Black are so precise with their movements and mannerisms that it’s impossible not to love A Year From Now.

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