Glass. Kill. Bluebeard. Imp., Royal Court

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by Laura Kressly

A new Caryl Churchill play is a special occasion, but four at once is a treat. Radically different in tone and theme, this collection ranges from pleasantly surreal to shocking and strange. Though they stand alone as short plays, as a whole they take on an array of society’s ills – but the pronounced concepts that Churchill is known for occasionally stale here, despite regular moments of brilliance.

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