Welcome to the UK, Bunker Theatre

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by Laura Kressly

It seems like the Bunker has been transformed into a small-scale, DIY circus, setting the mood for a playful and uplifting story. Instead, an ensemble of 16 enacts a series of grotesque and infuriating sketches depicting refugees’ and asylum seekers’ experiences navigating the UK’s racist and classist ‘Hostile Environment’.

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Thriller Live, Lyric Theatre

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by Louis Train

Thriller Live, the Michael Jackson concert show on the West End, celebrated its tenth anniversary last night with a performance and a reception. The performance was great fun and the reception was tasteful, and the evening, overall, was a success. But I feel there were some lingering questions that neither the personalities on stage nor at the party can answer.

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The War of the Worlds, New Diorama Theatre

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by Laura Kressly

Orson Welles’ 1938 broadcast of The War of Worlds caused widespread panic with its reports of an alien invasion in New Jersey. Or did it? Did the newspapers exaggerate the reaction to sell papers, the way websites now use clickbait for hits?

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Feature | Top Ten Shows of 2018

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by Laura Kressly

Growing global discontent has been the hallmark of 2018, and 2019 is looking even worse. The last few years have marked a rise of the far-right, but theatremakers in opposition are letting audiences know it from the stage. Some of the best shows of this year show anger, fear, uncertainty or simply let the world know that enough is enough – it’s time for a fairer, more peaceful society that pays homage to all of its people.

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The Wider Earth, Natural History Museum

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by Laura Kressly

Newly-minted Cambridge graduate Charles Darwin wants to collect insects and rocks, but his father wants him to enter the clergy. When one of his lecturers recommends him for the positions of resident naturalist onboard Naval ship The Beagle, the 22-year-old jumps at the chance. Over the next five years he sails the world, collects specimens and constructs ideas that eventually become On the Origin of Species. He is also a part of an imperialist mission ridden with Christian colonial attitudes that, in this script, are disappointingly excused in favour of spectacular design.

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People Like Us, Union Theatre

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by Amy Toledano

When the results of the referendum came through in 2016, a big percentage of Londoners were shocked. Many people who had grown up here and made the UK their home suddenly felt unwelcome, and those feelings have only grown in the years since the announcement of Brexit.

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Pinter One and Pinter Two, Harold Pinter Theatre

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by Gregory Forrest

A whole day of Pinter. “Christ,” my landlord said, “I couldn’t think of anything worse.”

Jamie Lloyd is embarking on an epic project: to stage every single one of the influential
playwright Harold Pinter’s short plays over a six month period, at the theatre which bears his name. Pinter at the Pinter. Pretty neat huh?

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