Pizza Shop Heroes, Tara Arts

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by Laura Kressly

In an unassuming takeaway pizza place somewhere in London, four men answer the phones and process orders. They also reminisce about the journeys that led them there. From Afghanistan, Albania and Eritrea, they made their ways through war zones, deserts and detainment centres on their own, as children. Now they’re adults with hopes and dreams like anyone, but they are irrevocably shaped by their experienced as children seeking safety in a country that’s doing its best to deter them, and others like them, from living safe and peaceful lives. It’s time for us to listen to what they have to say.

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Pah-La, Royal Court

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by Marc Hayes

Meaning ‘father’, the word Pah-La is also inflected with a term of respect; ‘La’ is a sign of formality, and becomes more like ‘Dear Father’ in a crude translation. It is a richly ironic title then. Pah-La takes aim at the social and emotional structures of patriarchal revenge, and explores a radically non-violent alternative.

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Going Through, Bush Theatre

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by Laura Kressly

At the start of what seems to be a fairytale, we meet Nour and Yumna in their tiny house. They have just enough space for the two of them and all the things they need. Though Yumna’s ears don’t work, she’s teaching her language to the little girl she’s raising on behalf of her best friend whose gone to make a new life in a faraway land. They are happy, want for nothing, and their days are full of light, love and stories. But the bombs are getting closer, the men with guns are ever more threatening, and Nour’s mother could send for her at any point.

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Welcome to the UK, Bunker Theatre

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by Laura Kressly

It seems like the Bunker has been transformed into a small-scale, DIY circus, setting the mood for a playful and uplifting story. Instead, an ensemble of 16 enacts a series of grotesque and infuriating sketches depicting refugees’ and asylum seekers’ experiences navigating the UK’s racist and classist ‘Hostile Environment’.

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The Dark, Ovalhouse

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by Romy Foster

The Dark is an exhilarating and personal journey through the dusty backroads of Uganda in 1979. Jumping between then and present day, Michael Balogun tenderly tells author Nick Makoha’s story of how he and his mother escaped the terror of Ugandan dictator Idi Amin’s reign and crossed the border heading for the UK when he was four years old.

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Metamorphoses 2, Waterloo East Theatre

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by Laura Kressly

There are many reasons why the classics are still read and performed, with their enduring relevance one of them. Ovid’s Metamorphoses, a narrative poem containing more than 250 different myths, is a wealth of flexible source material that can easily be updated and applied to modern socio-political landscapes. Here, five different myths are updated by five different playwrights to comment on a range of current topics, from #MeToo to the refugee crisis. Ranging in style and quality, the new writing night is largely well-curated and impactful.

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