Dinomania, New Diorama Theatre

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by Lawrence Osborne and Laura Kressly

Have you ever heard of Gideon Mantell? We hadn’t. But this multi-role telling of the life of the Sussex-based Victorian doctor and amateur geologist, whose discovery of the Iguanodon instigated relentless conflicts with the Church of England, is a compelling, musical story of a man willing to lose everything in the fight for scientific progress.

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Come From Away, Phoenix Theatre

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by Amy Toledano

The community of Gander, Newfoundland in Canada, a tiny town with a population of 10,000, were the last people to expect their airport full of planes of stranded passengers on the day of the 9/11 events. However, this is exactly what happened, and as the delightful new musical Come From Away reveals, the townspeople rallied together and did their best to provide comfort to those grounded during the tragedy.

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Edward II, Shakespeare’s Globe

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by Laura Kressly

Though King Edward II’s sexuality and the history surrounding his death are disputed by historians, Nick Bagnall takes a definitive stance in Marlowe’s history play. Here, the king is unquestionably gay and unashamed of his love for Piers Gaveston, one of his courtiers. It’s this unwavering love and devotion that gives ammunition to his enemies – a group of powerful barons, Scottish and French rulers, and even his wife – causing his violent and tragic downfall.

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Babylon Beyond Borders, Bush Theatre

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by Laura Kressly

In the ancient city of Babylon, people lived peacefully. They were left to their own devices until, according to a biblical story, they built a tower that reached to the heavens. Then, a vengeful god destroyed it and scattered the citizens around the world bestowing them different languages so they could no longer communicate. For language and peace are power, and power threatens those in charge.

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Call Me Fury, Vault Festival

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by Christina Bulford

The Salem witch trials of late 17th century America are infamous. In just a little over a year, more than 200 people were accused in the states of Massachusetts and Connecticut alone. Nineteen of those were found guilty and executed by hanging, but more died in jail or under torture. The death rate could have been higher still but we’ll never know, most court records were destroyed or lost. It remains the deadliest witch hunt in US history.

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Monkeys Blood, Vault Festival

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by Laura Kressly

There’s a world of difference between London and the impoverished estates in Britain’s small towns. Mickey grew up on one in Hartlepool, a place famous for its historic execution of a monkey mistaken for a Frenchman, the more recent fraud case committed by John ‘Canoe Man’ Darwin, and not much else. Some of the town’s citizens maintain its xenophobic, monkey-slaughtering legacy in the form of anti-Muslim and anti-immigrant protests, even though they’ve never met anyone off the estate. Micky escaped these attitudes through a successful career as a children’s entertainer – or so he thought.

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The War of the Worlds, New Diorama Theatre

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by Laura Kressly

Orson Welles’ 1938 broadcast of The War of Worlds caused widespread panic with its reports of an alien invasion in New Jersey. Or did it? Did the newspapers exaggerate the reaction to sell papers, the way websites now use clickbait for hits?

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Burke and Hare, Jermyn Street Theatre

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by Laura Kressly

A story of two men who murder people in order to sell their corpses to doctors in 1820s Edinburgh shouldn’t work as a dark character comedy with music. But largely work it does and this three-hander, though somewhat structurally clumsy, is a good alternative to more typical Christmas theatre.

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